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Ed Bride, left, is stepping back from the organization he founded to foster jazz in the Berkshires; Chuck Walker, next to him, is taking up the mantle to further jazz education and appreciation.

Berkshires Jazz: New Leadership Continues Founder's Passion

By Sabrina DammsiBerkshires Staff
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Chuck Walker, left, found Berkshires Jazz a year after moving to the Berkshires and shared his enthusiasm for the musical form with Ed Bride, not realizing he was the founder. It eventually led to Walker become the organization's president.
PITTSFIELD, Mass. — Berkshire County is jazz, said Chuck Walker, the newly appointed president of the nonprofit Berkshire Jazz. 
 
Jazz embodies freedom way of thinking, improvisation, and a distant respect for the rules, Berkshires Jazz founder Ed Bride said. 
 
It is an emotional refuge from today's atmosphere. The Berkshires, too, is like that, a place to escape and clear your head, which is why so many artists over the years have visited the area, the duo said. 
 
"You need a place to escape from that in order to, as we all used to say back in the '60s, to get your head right. The Berkshires are a place where you can get your head right," Walker said. 
 
"The way that you just described jazz as improvisational … as being out of lockstep with  whatever the prevailing society is. That's what makes jazz jazz. That, too, is what makes the Berkshires the Berkshires." 
 
For the last 20 years, Bride has been rejuvenating jazz in the Berkshires, a genre that was once alive thanks to venues such as Music Inn and The Lenox School of Jazz, sometimes called the Music Barn, active from 1950 until the late '70s. 
 
Bride said when he started the Pittsfield City Jazz Festival in 2005, which became the Berkshires Jazz nonprofit in 2009, you could go months without hearing jazz, with only one place in the county that would regularly play it: Castle Street Café in Great Barrington, which closed in 2016. 
 
"After five years, we sort of proved it was safe to do jazz in the Berkshires, because after we did our first festival, we found it in more and more of the lounges and restaurants. We found more and more organizations presenting jazz on the stage. I think that it had just lost its way," he said.
 
There were 10 to 20 years where it wasn't heard on the radio, and you still don't hear it a lot on the radio and it wasn't taught, Bride said. 
 
"All those things have reversed and I think that the amount of performances we had, had something to do with it. People showed up," he said.
 
Since its inception, Berkshire Jazz has been dedicated to fostering jazz education and enhancing the local jazz scene. 
 
Through year-round programming, the organization brings renowned jazz artists to the area and supports sustained education with workshops, master classes, clinics and student performance opportunities.
 
Berkshire Jazz supplements local school music programs by providing in-depth workshops and master classes for middle and high school students across the county. 
 
These activities immerse students in jazz history, group playing, listening, and improvisation, often culminating in student ensembles opening for major concerts, Bride said. 
 
"The whole concept is, get them involved when they're young – they'll appreciate it. They may not go into jazz. They might not become the biggest fans, but they will understand it, and some of them will, in fact, gravitate to it," he said.
 
One of the best moments was in 2009, when Dave Brubeck, American jazz pianist and composer, was sitting at a piano next to a high school freshman at a concert at the Colonial Theatre. It is a moment people are still talking about, Bride said. 
 
"Jazz is not something that forces itself on you. Jazz doesn't come looking for you and grab you, but you know you like it, especially the young people, when they first start to get into it," Walker said.
 
The organization's workshops aim to help students understand what draws them to jazz, teaching them both how to appreciate and perform what is already inside of them, he said.
 
"Education is one of the most important things that we do. We all love jazz. We all love to hear performances of jazz. We certainly love putting on those performances. But if jazz is to survive, we're going to need that next generation of producers, performers, engineers, who have a love of jazz to carry it forward, Walker said.
 
After serving as the organization's president since its inception, Bride is stepping back from the role to move to New Hampshire to be closer to family. 
 
Berkshires Jazz's board selected Walker because of his passion and enthusiasm for jazz, strong organizational skills, and what Bride described as "wise counsel."
 
Walker is a Berkshire County transplant, moving to the area during the pandemic and drawn by the area's beauty and quieter, calm atmosphere; a contrast from his life in New York. 
 
Before moving to the Berkshires, Walker worked nearly 40 years in television in several roles for the ABC and Disney including as a producer, production manager and director of engineering and operations.
 
Less than a year after moving to the region, Walker attended a Berkshires Jazz event during the Pittsfield City Jazz Festival. There, he enthusiastically shared his love of jazz with another attendee, who, unbeknownst to him, was Bride.
 
This is just a new evolution to the organization, Walker said. Bride is still involved and Berkshires Jazz has a team dedicated to continuing and expanding what Bride has built. 

Tags: jazz,   music,   

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The Round Stone Barn is 200 as Hancock Shaker Village Celebrates

By Breanna SteeleiBerkshires.com

PITTSFIELD, Mass. – Hancock Shaker Village shared a bicentennial birthday, inviting the community to take part in the festivities.

On Sunday, Hancock Shaker Village celebrated the 200th birthday of their signature Round Stone Barn, the only circular barn ever built by the Shakers.

"The Round Stone Barn turned 200 this year," Hancock Shaker Village CEO Carrie Holland said. "It was erected in 1826, so we thought we would celebrate with the whole community. We'd do some cupcakes, and then we're lucky to work with Yo-Yo Ma's team to curate some special performances in the Round Stone Barn."

The community was invited to come to the village for free and take part in a wide range of activities including tours, live music from Ida Mae Specker Trio and Tanglewood, demonstrations, and more. 

The Round Stone Barn is widely recognized as an architectural icon and agricultural wonder. 

The Shakers operated a working dairy farm at Hancock until the 1950s, and the barn was originally a stable for its 52 milk cows, according to the museum's website. 

It has ground-level access on all three levels so, wagons could enter on the upper level to deposit hay into the central haymow on the main floor below, then the empty wagons would be driven around the circular barn floor and exit the same door it came in, eliminating the potentially dangerous activity of backing wagons out of a barn, the website said. 

The cows stabled on the main floor faced inward toward the haymow for ease of feeding and manure was shoveled through trapdoors to the cellar, where it was stored until needed as fertilizer in the gardens.

"Every time anyone comes into the timber frame, it's the very first thing that they see, and they always say, 'It's just like a photograph,' and it is," Director of Collections Kathleen Lynch said. "It's beautiful. People want to get married in front of it. We did our Christmas the festival of trees in here, and the mechanisms of it are so phenomenal."

Hundreds enjoyed music in the round barn and celebrated with free cupcakes and food trucks while listening on the history the village portrays.

"I think this is one of our most iconic buildings, and a lot of people have their own memories tied to it," Holland said. "We do baby animals here, and so there's personal history. ... But it's also a fantastic opportunity to share a bit about the Shakers, their design techniques and practices, their  sort of obsession with making operations efficient, because this is used as a dairy barn, and so they created these three layers to make their operations more efficient."

"So you can talk about their innovation. Of course, they're the longstanding legacy of agriculture here. So it provides us an opportunity to kind of share the Shaker history in this beautiful space, tied to folks who have their own personal memories here as well, and it's such an impressive, beautiful spot. I have such appreciation for what it took to build this 200 years ago, and whenever we can do fun things and throw good parties here, it's a great day.""

Holland helps build momentum for the unveiling of Hancock Shaker Village's new visitor center that is planned to take place next month.

The new facility will include updated galleries, community event spaces, collection storage, and research areas for the museum's collection of over 22,000 Shaker artifacts and ephemera. The renovated building aims to enhance the visitor experience through improved orientation, expanded program offerings, closer access to collection items, and views of the surrounding landscape. 

"Part of what we're also celebrating is past, present, future, and the future," Holland said. "We're very excited for expanded programming. We're opening our new visitor center, our Center for Shaker Studies, so that creates a whole new opportunity for our visitor experience, our galleries, our stewardship, and then that relates also to the programming that we can do in the historic village."

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