MCLA Announces Pathways Campaign Has Raised $33.4 Million

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NORTH ADAMS, MA — Massachusetts College of Liberal Arts (MCLA) has officially certified that Pathways, the Campaign for MCLA has raised $33.4 million, surpassing its original $25 million goal by more than $8 million.
 
The Campaign Cabinet met on July 15 to formally mark the conclusion of the College's most ambitious fundraising campaign.
 
"Tonight, we celebrate not only a number, but the collective belief in the power of public higher education and in MCLA's future," said Julie Arnold, Pathways Campaign Cabinet member. "Together, we have written a historic chapter in the College's story."
 
Funds raised through Pathways have supported scholarships, athletic facility enhancements, travel opportunities for students, and professional development for faculty members. The Campaign's success has helped the MCLA endowment reach the highest level in the College's history, and MCLA's reserve fund has doubled over the past five years to $27 million, reflecting a sustained commitment to long-term financial health.
 
"The impact of this campaign will be felt for generations," said MCLA President Dr. Diana Rogers-Adkinson. "Just this May, that impact was on full display at Commencement, when 193 graduates crossed the stage, many of them supported directly by scholarships this campaign made possible. As I begin my presidency at MCLA, I could not ask for a more inspiring introduction to this community."
 
 

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New Eagle Street Shop Has the Perfect Toppers

By Breanna SteeleiBerkshires Staff

Tip Top Hats sells Patricia Welch's handmade designs and more commercial products at lower prices. 

NORTH ADAMS, Mass. — The city has a millinery for the first time in more than 40 years. 

Patricia Welch, who has more than 60 years of hatmaking experience, recently opened Tip Top Hats at 16 Eagle St.

Welch said she has always been fascinated by hats and has seen many fashion trends. She's particularly interested in the mod movement.

"It's just something that I have a facility for and have been doing for so long, it's kind of second nature," she said. "It's over 60 years since I’ve been making hats, not all the time, but on and off for a long, long time. So I had a lot of life experience to draw from. I've seen many, many fashions come and go. Being a child of the '60s, I was heavily influenced by the mod movement, fashion movement, and it has stuck with me all these years."

Welch previously owned a shop in Gloucester before moving to New York in the late 1990s. Her work has been featured in juried shows and she's done design consulting.

While she worked in engineering and exhibiting designs, she always made her hats. It all started when she was 13 years old and had to solve a problem.

"I used to go riding on motorcycles with no hat on, no helmet, and your hair would get terribly knotted up," Welch said. "So the first time I made a hat, it was kind of a little bonnet of cotton that just tied under my chin, and it was just to keep my hair from getting tied in knots by the wind."

She came across the "for rent" sign on storefront in May and made a decision she would like to occupy it. She opened on July 1 during First Friday.  She said it was a great way for her to get out of retirement.

"Kind of impulsive, but you know I'm not young, and tired of being retired, basically," Welch said. "So this is a wonderful, fun experience, and I think it'll bring more to Eagle Street."

Millinery shops were a mainstay of women's and men's fashion well into the 1960s. At one time, North Adams had three or four independent millinery shops plus departments in some of its stores, like Roberts Co. and the Boston Store.

They began closing down in the 1960s because of owners' retirements or deaths, dislocation because of urban renewal, and changing fashions. The last ones were the Style Shoppe and Hollywood Millinery (then Hollywood Fashions) in the early 1980s. 

Welch has hats made from straw, fake fur, wool, leather, and more. Her designs can take hours to complete.

"I start by having an idea in mind for the style that I want to work on, and then I'll pull from my textiles and make a selection that would all work nicely together, so that I can I can make a particular style using various textiles from the same group, so it becomes a collection rather than just a random bunch of hats," she said.

She wants to have something for everyone, and since her one-of-a-kind hats can be pricey, she has  commercially hats that are moderately priced.

"Typically in finishing a hat, there's handwork, which is why they become more expensive. Because some hats I spend well, literally hours on," she said.

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