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Rock drummer and Stockbridge native Kenny Aronoff played to an enthusiastic crowd in Saugerties, N.Y., on Sunday as part of the Pfizer $1 Million Grand Prix hunter/jumper competition at HITS on the Hudson.

Kenny Aronoff: The Berkshires' Own 'Fortunate Son'

Nichole DupontiBerkshires Staff
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SAUGERTIES, N.Y. —- There are very few things left in the world that surprise rock drummer Kenny Aronoff. But for all his years on the road touring and recording with rock 'n' roll legends such as John Mellencamp, Melissa Ethridge, the Smashing Pumpkins and most recently John Fogerty, Aronoff does not seem jaded.

In fact, this jeans and T-shirt clad musician carries himself more like a college student than a 57-year-old rock veteran. Hovering over a plate piled high with lasagna and barbecue chicken, Aronoff is ravenous after a rainy, break-neck gig keeping the beat for Fogerty.

"Oh, wow, this doesn't suck," he said between bites. “I've got to eat. I've got to put it back in."

As he eats, one begins to wonder if Aronoff will ever be satiated with anything.

"I just took my first vacation in 15 years," he said. "I'm working all the time. I'm a workaholic."

While it would be easy to blame Aronoff’s grueling schedule on the fickle trends of the music industry, he asserts that the blame lay squarely on his wiry shoulders.

"I've always been a workaholic. When you combine that with something you love doing, that's a powerful combination. Even as a young kid, it [drumming] was a way to get through life. It was a drug. That drug was more important to me than anything else."


Drummer Kenny Aronoff takes a breather in the 'cafeteria' trailer after a grueling two-hour concert on Sunday.

Aronoff has done more than just get through life. His razor-sharp precision and his anomalous work ethic have carried him far beyond his hometown of Stockbridge, which he said, is "like a dream." He owes his dream and his spark to the influences of home and the music of his turbulent generation.
"I think Mitch Mitchell really influenced me; you know, because my parents listened to a lot of jazz and that's what I grew up on," he said. "And, of course, there's the New Orleans style, that was cool. And [John] Bonham, he was all over the map. But Hendrix, Hendrix blew my mind."

Despite, or perhaps because of, the many influences he carries, Aronoff has developed a style all his own, one that is coveted by artists and venues the world over. But he does not see his desirability as fame; to him, it is still work, all of it.

"I have to do a whole album in two days," he said, "Two days! I have to write everything out, do everything I have to do to get it done. Then after that I might go to Mexico City for a drum clinic, I'm not sure about that yet. And they just asked me to play at a tribute for John Bonham at the Key Club [in West Hollywood]. It's been 30 years since his death. His son Jason is going to be there. I think it's going to be amazing."

Of course, this schedule does not include Aronoff's recent whirlwind tour with Fogerty that took him to Europe, a tent in Africa and a festival in Japan. It appears that much like John Bonham of Led Zeppelin before him, Aronoff, too, is "all over the map." But his gaze remains steady, even in the face of a shaky industry ruled by downloads and apps and a global recession.
 
"The record companies have all collapsed. There's no money for anything anymore," he said. "Music isn't the single most-desired thing anymore. It took a while for CDs to replace vinyl, and nobody thought that would happen. And it didn't take long for downloading to replace CDs. Nobody knows how it’s going to work out."

For any career musician, now would be a good time to make a graceful exit. Aronoff, whose other dream job is to be an NFL quarterback, just scoffs at the idea.

"Nah, I'm not going to retire. I'll do this forever,” he shook his head. "It doesn’t matter where I am, even now, I look around and I cherish every moment of success. I would never want to lose that."

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Classical 'High Season' Approaches Its Artistic Apogee

By Stephen DankneriBerkshires Columnist

Festivals at Tanglewood, Sevenars, and Mass MoCA showcase exceptional musical artistry and creativity.

During late July, the classical music festival "high season," anchored by concerts at Tanglewood and Sevenars, and also including Massachusetts Museum of Contemporary Art, approaches its zenith, with both sure-fire and innovative programming. Offerings this week include Boston Symphony performances of Mozart and Tchaikovsky concertos, as well as a uniquely designed program in Ozawa Hall of five prominent American pianists performing the complete etudes for solo piano by the magisterial master composer Philip Glass. A special feature of this week's Tanglewood programming is the pairing, in three concerts, of Mozart concerti (two for violin, one for piano) with three of Tchaikovsky's symphonies. As it happened, the Russian's favorite classical composer was Mozart.

For a charming and musically highly rewarding country getaway, this week also featuring great piano music, be sure to consider attending the program on Sunday in the historic Academy presented by the Sevenars Music Festival in bucolic South Worthington.

As always, the place to be for great classical and stimulating new music is right here in our own intimate corner of the world — the Berkshires — a so-designated "cultural capital," where artistic boundaries are nonexistent.

Tanglewood    

Wednesday, July 22, 8 p.m. in Ozawa Hall: Pianists Timo Andres, Bruce Brubaker, Daniela Liebman, Lisa Moore and Christian Sands will perform the 20 piano Etudes of Philip Glass composed between 1991-2012 for pianist/conductor Dennis Russell Davies.

• Friday, July 24, 8 p.m. in the Shed: Andris Nelsons conducts the Boston Symphony, with violin soloist Augustin Hadelich performing Mozart's Violin Concerto No. 5, in A Major. Tchaikovsky's Symphony No. 3 ("Polish") will conclude the program.

• Saturday, July 25, 8 p.m. in the Shed: Maestro Andris Nelsons will direct the BSO in Mozart's Piano Concerto No. 27 in B flat, K.595, with the supreme Paul Lewis the soloist. The program rousingly concludes with Tchaikovsky's Symphony No. 4.

• Sunday, July 26, 2:30 p.m. in the Shed: Maestro Nelsons leads the BSO in three works: "Gambit," a curtain-raiser composed by composer/conductor Esa-Pekka Salonen, Mozart's Violin Concerto No. 1, with soloist Himari, and, to conclude the program, Tchaikovsky's Symphony No. 5.

For tickets for all Tanglewood/BSO concerts (lawn and Shed seating) and for special events call (617) 266-1200 or (413) 637-5180; online: tanglewood.org or customerservice@bso.org. In Lenox, visit the Tanglewood box office at the Main Gate located at 297 West St.

 

Sevenars Music Festival

Founded in 1968, Sevenars Concerts Inc. is showcasing its 58th anniversary season of six summer concerts, held at the Academy in the historic village of South Worthington, located at 15 Ireland St., just off Route 112.

• Sunday, July 26, 4 p.m. Sevenars presents the Champlain Trio in a program entitled "In Her Voice" - featuring three extraordinary piano trios (piano, violin and cello) by female composers Dora Pejacevic, Amy Beach, and Charlotte Sohy. The Champlain personnel includes pianist Hiromi Fukuda, violinist Letitia Quante, and cellist Emily Taubl. 

Among their many distinctions, the Champlain Trio was awarded a Vermont Arts Council Grant to record the Croatian composer Dora Pejacevic's Piano Trio, Op. 29. Their Sevenars concert will include this stunning work, along with piano trios by Amy Beach and Charlotte Sohy.

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