A favorite photo of mine, depicting Mount Greylock is lacking the "beacon tower" atop of it. Attempting to explain why, this writer offers reasonable if not infallible explanation.
Thirty years ago, in 1972, there was a popular TV series called "Kung Fu" in which David Carradine played a "Shaolin Monk",who was escaping Chinese bounty hunters and hid out in the "Old West" with the Excellent Oriental Dudes who built our Western Railroads. (this kind of monk beats people about the head and shoulders rather than chanting mantras) Kwai Chang Caine, the previously mentioned Shaolin Monk was a neat dude who returned to TV in 1992, to help his long lost son , the big city detective. The show still may be seen when Adeplhia is not running identical programs on most of its other channels.
However Caine wanted more press, so he gave up being a "Little Grasshopper"** and more in the vein of The Mothman Prophesies, and or "Mothra" he became a Flapping version of Bruce Lee. The imitation of a Crow was already taken by Bruce Lee's son, Brandon.
**(I kid you not, his teacher called him that before he was branded with the Dragons from the red hot pot on the inside of his forearms) Now if any of you remember "Mothra" the intense flapping of wings knocks skyscrapers in Tokyo down, and Greylock Tower is not really in that category. So picture a Macho Chinese Moth with Martial Arts skills, even though he moves in time lapse slow motion, well, scratch one beacon.
Of course some may blame "The Langoliers" for eating it, or the Enron Shredders as the culprits who negated the tower , but I have offered a reasonable explanation. So good, in fact that Mr. Cheney and Mr. Lay have invited me to Washington D.C. in order to compose answers questions of The General Accounting Office, and also questions to be posed at the Congressional Hearings.
My veracity is Famous. I can Help.
bud1956@yahoo.com
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BAAMS Students Compose Music Inspired By Clark Art
By Jack GuerinoiBerkshires Staff
BAAMS students view 'West Point, Prout's Neck' at the Clark Art. The painting was an inspiration point for creating music.
NORTH ADAMS, Mass. — The Berkshires' Academy for Advanced Musical Studies (BAAMS) students found new inspiration at the Clark Art Institute through the "SEEING SOUND/HEARING ART" initiative, utilizing visual art as a springboard for young musicians to develop original compositions.
On Saturday, Dec. 6, museum faculty mentors guided BAAMS student musicians, ages 10 to 16, through the Williamstown museum, inviting students to respond directly to the artwork and the building itself.
"As they moved through the museum, students were invited to respond to paintings, sculptures, and the architecture itself — jotting notes, sketching, singing melodic ideas, and writing phrases that could become lyrics," BAAMS Director of Communications Jane Forrestal said. "These impressions became the foundation for new musical works created back in our BAAMS studios, transforming visual experiences into sound."
BAAMS founder and Creative Director Richard Boulger said this project was specifically designed to develop skills for young composers, requiring students to articulate emotional and intellectual responses to art, find musical equivalents for visual experiences, and collaborate in translating shared observations into cohesive compositions.
"Rather than starting with a musical concept or technique, students begin with visual and spatial experiences — color, form, light, the stories told in paintings, the feeling of moving through architectural space," said Boulger. "This cross-pollination between art forms pushes our students to think differently about how they translate emotion and observations, and experiences, into music."
This is a new program and represents a new partnership between BAAMS and the Clark.
"This partnership grew naturally from BAAMS' commitment to helping young musicians engage deeply with their community and find inspiration beyond the practice room. The Clark's world-class collection and their proven dedication to arts education made them an ideal partner," Boulger said. "We approached them with the idea of using their galleries as a creative laboratory for our students, and they were wonderfully receptive to supporting this kind of interdisciplinary exploration."
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