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Photo by Emma Rothenberg-Ware 'Hair' is the story of its time – the spirit of resistance to the Vietnam war and a government that lied about it, of diversity, of hope, sex, love, long hair and drugs – on stage at Berkshire Theatre Group.

Review: 'Hair' is a Must See

By Nancy SalziBerkshires columnist
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Kayla Foster leads the cast of 'Hair' at the Unicorn Theatre in Stockbridge.

It didn't have to be this good.

Just hearing one or two songs from the 1968 rock musical "Hair" – like "Let the Sunshine In" or "Good Morning Starshine" – would have been enough to bring tears to our eyes and a longing for a time when the youth of America could and did change our country.

That's what happened when Kate Maguire, artistic director and CEO of the Berkshire Theatre Group, heard a young woman sing the above songs at an American Theatre Wing event not long ago. She told us in a talkback that on the spot she decided to bring a revival of the show in the intimate space of the Unicorn Theatre, where the audience could be a part of the story.

And bring it she did! This production of "Hair" is far more than good. It is astonishing! The unbelievable energy of the 15-member cast not only brings that troubling and exciting time of our history to life on the stage, it reawakens our spirits and our souls. We want to get on the stage to dance and protest with them.

"Hair" is the story of its time – the spirit of resistance to the Vietnam war and a government that lied about it, of diversity, of hope, sex, love, long hair and drugs – represented by one young man who is drafted and is ambivalent both about serving and about defying his draft notice.

We first meet the "tribe" of flower-bearing, sign-carrying, very high young people singing "The Age of Aquarius" led by Dionne (Latoya Edwards). They accept a young man, Claude (Andrew Cekala), into their midst. He takes drugs with them and observes their free "mating" habits. We soon begin to see that reality has seeped into their idealistic world. Jeannie (Livvy Marcus) is pregnant. Berger (Brandon Contreras) is cruel to his girlfriend, Sheila (Kayla Foster), and becomes "Vietnam bait" when he is expelled from high school. Crissy (Katie Birenboim) can't find a potential love she once met in Washington Square Park. Claude has a bad acid trip and hallucinates being shot in Vietnam. Claude's parents (Shayna Blass and Nick Pankuch) represent the seemingly stodgy American society. In spite of everything, the show ends with the young people's optimism, which the audience (at least those who stayed for the talk-back) so badly wanted to feel today.


The cast is uniformly outstanding. The three leads, Brandon Contreras, Andrew Cekala and Kayla Foster, all have a riveting presence and big, strong voices. The standout performance belongs to Contreras, however.

The direction by Daisy Walker and choreography by Lisa Shriver were brilliant. They obviously worked as a close, collaborative team to make the large cast flow so easily around the multi-level stage and through the theatre aisles. The set by Jason Simms, with raw planks of wood on the floor levels and a giant window at the back of the stage, facilitated the constant movement. Patricia M. Nichols excellent lighting design brought the mood of each song to life and tastefully disguised a scene in which many characters shed their clothes.

There are 35 wonderful songs in "Hair" that tell a story or encapsulate a mood. The musical is almost completely sung-through. Gerome Ragni and James Rado wrote the books and lyrics, Galt MacDermot the music. Eric Svejcar played the piano and let a three person orchestra. The show was originally produced by the New York Shakespeare Festival Theatre.

There are so many cultural events competing for our time and money in the Berkshires this (and every) summer. But "Hair" needs to be on your must-see list. It is about a spirit alive 50 years ago in the young hippie movement and also today among the young Parkland resistors. It is wonderful entertainment and a deeply emotional experience.

Book and Lyrics by Gerome Ragni and James Rado; Music by Galt MacDermot, Directed by Daisy Walker; Music Direction and Piano by Eric Svejcar; Choreography by Lisa Shriver; Scenic Design by Jason Simms; Costume Design by Shane E. Ballard; Lighting design by Patricia M. Nichols; Sound design by Nathan Leigh.
Cast: Katie Birenboim, Ariel Blackwood, Shayna Blass, Chance Brayman, Andrew Cekala, Brandon Contreras, Latoya Edwards, Kayla Foster, Kristopher Saint Louis, Livvy Marcus, Nick Pankuch, Will Porter, Sarah Sun Park, Aiden Wharton, Eric R. Williams.
At The Unicorn Theatre's Larry Vaber Stage on BTG’s Stockbridge Campus, 6 East St., through Aug. 11. Tickets online.


Tags: Berkshire Theatre Group,   local theater,   

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Social Service Organizations Highlight Challenges, Successes at Poverty Talk

By Brittany PolitoiBerkshires Staff

Dr. Jennifer Michaels of the Brien Center demonstrates how to use Narcan. Easy access to the drug has cut overdose deaths in the county by nearly half. 

PITTSFIELD, Mass. — Recent actions at the federal level are making it harder for people to climb out of poverty.

Brad Gordon, executive director of Upside413, said he felt like he was doing a disservice by not recognizing national challenges and how they draw a direct line from choices being made by the Trump administration and the challenges the United States is facing. 

"They more generally impact people's ability to work their way out of poverty, and that's really, that's really the overarching dynamic," he said. 

"Poverty is incredibly corrosive, and it impacts all the topics that we'll talk about today." 

His comments came during a conversation on poverty hosted by Berkshire Community Action Council. Eight local service agency leaders detailed how they are supporting people during the current housing and affordability crisis, and the Berkshire state delegation spoke to their own efforts.

The event held on March 27 at the Berkshire Athenaeum included a working lunch and encouraged public feedback. 

"All of this information that we're going to gather today from both you and the panelists is going to drive our next three-year strategic plan," explained Deborah Leonczyk, BCAC's executive director. 

The conversation ranged from health care and housing production to financial literacy and child care.  Participating agencies included Upside 413, The Brien Center, The Food Bank of Western Massachusetts, MassHire Berkshire Career Center, Berkshire Regional Transit Authority, Greylock Federal Credit Union, Massachusetts College of Liberal Arts, and Child Care of the Berkshires. 

The federal choices Gordon spoke about included allocating $140 billion for the U.S. Immigration and Customs Enforcement, investing $38 billion to convert warehouses into detention centers, cutting $1 trillion from Medicaid over 10 years, a proposed 50 percent increase in the defense budget, and cutting federal funding for supportive housing programs. 

Gordon pointed to past comments about how the region can't build its way out of the housing crisis because of money. He withdrew that statement, explaining, "You know what? That's bullshit, actually."

"I'm going to be honest with you, that is absolute bullshit. I have just observed over the last year or so how we're spending our money and the amount of money that we're spending on the federal side, and I'm no longer saying in good conscience that we can't build our way out of this," he said. 

Upside 413 provided a "Housing Demand in Western Massachusetts" report that was done in collaboration with the University of Massachusetts at Amherst's Donahue Institute of Economic and Public Policy Research. It states that around 23,400 units are needed to meet current housing demand in Western Mass; 1,900 in Berkshire County in 2025. 

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