Great Barrington Secures $5 million Bond Issue

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GREAT BARRINGTON, Mass.— The Town of Great Barrington's AAA bond rating has helped secure an interest rate of .979 percent on a $4,990,000 bond. 

The 20-year bond is for the financing of various capital projects.
According to a press release, S & P Global Ratings, a municipal bond credit rating agency, attributed the town's AAA bond rating -- the highest attainable—to the town's strong economy, management, financial policies and practices, strong liquidity, as well as its strong debt and contingent liability profile.
Town Treasurer Karen Fink and Finance Director Susan Carmel ushered the bidding process through to completion.
"Because the town is able to maintain its AAA bond rating in a pandemic, we had seven financial institutions bid on our bond," Carmel said. "It was very competitive, and the town is very pleased with the below 1% interest rate."
The bids for the bonds were accepted at the offices of the town's financial advisor, Hilltop Securities Inc. in Boston.

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Mahaiwe Announces 'Rhapsody in Black' Virtual Play

GREAT BARRINGTON, Mass.— The Mahaiwe Performing Arts Center is presenting the virtual play "Rhapsody in Black" at from Monday, March 8 through Sunday, March 14, followed by a community conversation on Zoom, Sunday, March 14 at 7pm. 
Both programs are free, presented in partnership with Clinton Church Restoration, and sponsored by Berkshire Taconic Community Foundation's Bridging Divides, Healing Communities Grant. 
"Through their Bridging Divides, Healing Communities grants, Berkshire Taconic Community Foundation is making it possible for the Mahaiwe to offer this program free to our entire community. LeLand Gantt has an important story to tell, and I hope that those who watch the play will also join the discussion," said Mahaiwe Executive Director Janis Martinson. 
Written and performed by LeLand Gantt and developed at NYC's Actors Studio with Estelle Parsons, "Rhapsody in Black" is a one-man show that explores LeLand's personal journey to understanding and confronting racism in America. The play follows his life story—from an underprivileged childhood in the ghettos of McKeesport, Penn., to teenage experiments with crime and drugs to scholastic achievement and an acting career that lands adult LeLand in situations where he is virtually the only African-American in the room. How he manages to cope with the various psychological effects of consistently being marked The Other is recounted in remarkable and moving detail, sure to leave lasting impressions.
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