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Pratfalls, double entendres and sardines mark the hilarious 'Noises Off' production at Barrington Stage Company.

'Noises Off': Get Ready to Laugh & Laugh for Two Hours

By Alan PetrucelliSpecial to iBerkshires
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PITTSFIELD, Mass. — That noise you're hearing coming out of Pittsfield? It's the howlin' and hootin' and seismic sounds from the crowd of people who packed the Barrington Stage Company's Boyd-Quinson Theater on Wednesday afternoon to catch the matinee of "Noises Off."

For all we know, days later, they are still standing, still hootin', and still hollerin'.

Blame it, or perhaps bless it, on Michael Frayn's comedy "Noises Off." (The phrase is show-biz jargon, meaning "sound heard in the wings.") "Noises Off" is often called "the funniest farce ever written," and after two hours and 20 minutes, I couldn't think of an exception.

The plot of "Noises Off," if you can call it a plot, tells the tale of the onstage and backstage antics of a fifth-rate acting troupe touring in the awful bedroom sex farce, "Nothing On." It's a play-within-a-play, and "Nothing On" must be about something, but it's hard to figure out what exactly.

The curtain opens on the dress rehearsal of the first act of "Nothing On" the night before it opens. Things are not going well.

In Act Two, we hear the Wednesday matinee a month after it's been running from behind the set (a magnificent, warm English cottage created by Sotirios Livaditis and Todd Rosenthal), where the fallout from unraveling romances causes more hilarity offstage than on.

Act Three takes us back to the first act of "Nothing On" for the final performance almost two months after that, by which time the emotional chaos has rendered the play entirely surreal.



Frayn (whose "Copenhagen" won the Tony Award for Best Play in 2000) has written a work as convoluted as crazy. To make a farce work there needs to be razor-sharp timing; the actors can't vary their movements by a millisecond. It's not easy to pull off. Anything else and the show lobbies into slow-motion, the laughs dwindle and the work flops.

Here, the timing is perfect: Doors slamming, sexual dalliances, a toupee that frees itself from a man's scalp, missed cues, more doors slamming, broken banisters, double entendres, a broken window, tax trouble, even more doors slamming ... and one-point-three million laughs. (The hysterical woman whom I sat near swore she wet her pants.)

Then there are sardines. Plates and plates of sardines that come and go, and are (a) used as dueling weapons, (b) crushed in a newspaper (c) sat on by the unsuspected, (d) dropped down a sexpot's cleavage. When the show was over I had an overwhelming desire for sardines, though I have never, ever tasted one.

The cast (all of whom are making their BSC debut) performs beyond brilliant, particularly Nehal Joshi as comic rival Garry Lejeune (after his fall down the staircase I was sure he was dead ... instead he was dead-on) and Orville Mendoza as dipsomaniac Selsden Mowbray. Jennifer Sánchez's character may not have all the lights in her marquee, but she's faultless as sexpot Brooke.

I confess that my favorite is Lesli Margherita as housekeeper Dotty Otley (Carol Burnett got the film role), whose sarcastic edge melds with, as the show goes on, precise clownish behavior. This is tightly-scripted chaos, and it all goes off without a hitch. For two hours (with an intermission) life has to be exacting to make it all work. And this cast of professionals is spot-on, never missing a beat or failing to get the laugh. Just think the discipline the cast has: Just how tough do you think it is playing a nutcase without breaking down?

Gordon Greenberg clearly is one of those directors with the gift to keep the whole play in his head as he puts the actors through their paces. (He has a surprise in Act Three.) "Noises Off" is comically incendiary and thankfully no one is around to put it out, at least until September 6.

"Noises off" continues at the Barrington Stage Company's Boyd-Quinson Theater until Sept. 6. For tickets or more information, call 413-242-6411 or visit barringtonstageco.org.


Tags: Barrington Stage,   plays,   

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PCTV Celebrates 40th Anniversary with Community

By Breanna SteeleiBerkshires Staff

PITTSFIELD, Mass. – Many fans, workers, past workers, and city officials gathered at the Berkshire Hills Country Club Friday night to celebrate Pittsfield Community Television turning 40.

The room was alive with people eating, laughing, taking photos in a photo booth and watching snippets from PCTV's past archived programs throughout the decades curated by Operations Manager Dave Cachet.

President of the Board of Directors Sue Doucette acknowledged everyone in attendance and thanked the volunteers who help or have helped bring PCTV to the screen.

She reflected on how much technology has changed since 1986 and on PCTV's role in covering parades, debates and election-night precinct results 

"You heard it and saw it yourself, and you can interpret it your way. Not everybody has this, but we in Berkshire County do, and we need to be forever grateful to the people that have come before us and made this possible. So, for me personally, I love the staff at PCTV and the board members. I never begrudge going to a meeting. I like these people," she said.

Executive Director Shawn Serre said he feels as though this is their "Eras Tour," referencing Taylor Swift's record-breaking concert series. He reminisced about PCTV's eras.

"The first of our eras is the founders' era, that time when this was just an idea tossed around among colleagues with various skills and with an interest in creating a local source of television, but with no funding, no equipment, no facility, no staff, no volunteers other than themselves," he said.

He said the next era starts with PCTV's move to Fourth Street. At this point, they named their first executive director Garrett McCarey and built their first facility at 163 Fourth Street. They made community connections, programs, and learned the ropes, he said, adding that they "pushed the boundaries of what public access could accomplish".

He said the next era is their Federico era, led by former Executive Director Bernard Avalle and changing technology.

"Under his leadership, we moved our entire facility from the old building to a custom-built studio and offices. We expanded from one cable channel to three. We went from analog to digital to high definition," Cachet said. " We went from videotapes to DVDs to video servers and files. We had as many as seven staff members and grew the program. We designed and purchased a mobile production truck. We covered so many meetings, so many meetings. Viewers would look to us with trust on election nights, onn the Fourth of July, at sports events, and at special events. We have become a part of the fabric of life in Pittsfield."

And finally, the multi-platform era.

"Otherwise known as everything, everywhere, all at once. That's what it feels like. It's when we expanded our reach by saving WTBR FM from the wrecking ball and operating it. When we greatly expanded our PCTV sports program of live broadcasts from just about anywhere, we couldn't have imagined being able to do that early on," he said. "It's when, in the depths of the pandemic, we not only continued our regular broadcast and never stopped, but we also launched PCTV Select to provide high-quality video streams, live streams, and video on demand worldwide. When we started Park Square Productions to provide high-quality production services to clients and contribute to our mission."

He said their next era is still being shaped and will need the community to help.

"The next era, well, that one has to be shaped by you, by all of us actually, because after 40 years, we realize the only constant is change, and we know that while cable TV is at the moment still our sugar daddy, it won't be around forever," Cachet said. "But we know how important the kinds of services that we provide are, and the demand to not disappear." 

Rep. Tricia Farley Bouvier said local journalism is important and will save democracy. She presented PCTV a citation from the state House of Representatives signed by her and the Speaker of the House.

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