Clark Art Free Sunday

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WILLIAMSTOWN, Mass. — The Clark Art Institute's First Sundays Free program continues on Sunday, Feb. 6, offering free admission to the galleries and special exhibitions along with a series of special programs. 
 
February's theme is "Illuminating Illustration," placing a special emphasis on poster art and illustration in a nod to one of the Clark's current exhibitions.
 
Visitors can explore and array of French color prints by artists including Pierre Bonnard, Mary Cassatt, Paul Cézanne, Jules Chéret, Maurice Denis, Camille Pissarro, Henri de Toulouse-Lautrec, and Edouard Vuillard in "Hue & Cry: French Printmaking and the Debate over Colors" in the Clark Center galleries. 
 
Also on view is a new installation of contemporary works by emerging artist Tomm El-Saieh. The exhibition, "Tomm El-Saieh: Imaginary City," is the latest offering in the Clark's on-going presentation of contemporary art in public spaces, and is on view in multiple locations in the Clark Center and Manton Research Center. 
 
In addition, the Clark's full permanent collection is on view, featuring a rich array of works by artists including John Singer Sargent, Winslow Homer, Berthe Morisot, Pierre-Auguste Renoir, and Edgar Degas. Recent acquisitions by artists Sarah Bernhardt and Anna Alma-Tadema are featured in the galleries. 
 
Special activities planned for the day include a pop-up display of illustrations on view in the Manton Study Center for Works on Paper from 11–1 pm. In the Michael Conforti Pavilion from 1–4 pm, visitors are invited to meet an artist and try their hand at several illustration activities. 
 
The Clark's grounds, which are always open free of charge, provide miles of walking trails. The Clark's Project Snowshoe program offers visitors the opportunity to borrow free snowshoes to explore the beauty of the campus in winter. Snowshoes are available in adult and child sizes on a first-come, first-served basis. 
 
While admission to the galleries is free to all visitors, advance registration is strongly recommended. Proof of COVID-19 vaccination is required for all visitors over the age of 12 and facemasks are required for all visitors over the age of 5. Visit clarkart.edu to register and for details on current health and safety protocols. 
 
 

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9/11 Now Part of Broader Conversation in Classrooms

By Stephen DravisiBerkshires Staff
WILLIAMSTOWN, Mass. — When talking about teaching the greatest American tragedy of the 21st century in today's classrooms, teachers draw a parallel to how they were taught about one of the defining moments of the 21st century.
 
"Oddly now, it is kind of like when my World War II relatives and teachers talked about the Depression or Pearl Harbor," Mount Greylock Regional School history teacher Jeffrey Welch said recently. "The kids [today] are generally interested in personal and social history, and so, for that reason alone, they are curious.
 
"But 9/11 is also a 21st century icon. Local families lost loved ones, some of whom are still connected to the school community. Also, so many have connections to NYC and have been to Ground Zero and the museum. It is poignant, I think, but far less visceral for the students to study with the passage of time."
 
As the nation prepares to commemorate the 25th anniversary of the September 11 terrorist attacks on Friday, the nation's classrooms are the place where the events of 9/11 and its repercussions are being taught to a generation that lacks the emotional grounding in the events at Ground Zero that high school students may have had as recently as a dozen years ago.
 
At Wahconah Regional High School, Bryan Patton, who was reached separately for this story, made the same historical reference when asked about teaching 9/11 25 years after the fact.
 
"It's interesting because the way we have covered 9/11 has evolved over the years," Patton said. "It definitely used to get students' attention as a current or recent event years ago. For many students now, it's the way Pearl Harbor or Vietnam was when I was a student in the '90s.
 
"It was actually a difficult thing for my colleagues and I to grasp as they didn't live through it. It was before they were born so to them it's just an historical event. They ask questions. They care. But it's not the visceral response it used to be."
 
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