Williams College Museum of Art Program on Sol LeWitt's Jewish Projects

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WILLIAMSTOWN, Mass. — In conjunction with the "Strict Beauty: Sol LeWitt Prints" exhibition currently on view at the Williams College Museum of Art, curator David S. Areford will present a program at 5:30 p.m. Thursday, April 21, that explores the Jewish dimensions of Sol LeWitt's art through five projects.
 
The program will be held in person at Williams College Museum of Art (WCMA) as well as virtually on Zoom and live-streamed on YouTube. 
 
To register for the Zoom program, visit artmuseum.williams.edu. WCMA's galleries will remain open until 5:30 p.m. so that attendees can visit the exhibition before the program.
 
According to a press release, LeWitt's early statements asserting that his work was devoid of the "subjective" or any "social or moral purpose," might seem to contradict any direct connections to Judaism, yet from 1987 to 2005, LeWitt accepted several commissions to make artworks in response to specific Jewish contexts in Italy, Germany, and the United States. 
 
These five projects include "Black Form "(1989), a concrete-block sculpture that serves as a stark memorial to the "missing Jews" of Hamburg; the artist's lone foray into architecture, the design of his local synagogue in Chester, Conn. (2001), based on Eastern European wooden synagogues lost during World War II; and "Lost Voices" (2005), a site-specific sound-and-sculpture installation at a former synagogue outside Cologne. 
This lecture is co-sponsored by the Williams College Art Department and the Jewish Federation of the Berkshires.
 
David S. Areford is professor of art history at the University of Massachusetts Boston. He is the author of "Strict Beauty: Sol LeWitt Prints" (Yale University Press, Williams College Museum of Art, and New Britain Museum of American Art, 2020) and editor of "Locating Sol LeWitt" (Yale University Press, 2021), a volume of nine essays that reveal the full scope of the artist's wide-ranging practice and reassess his singular contributions to 20th-century art (selected by Bookforum and ARTnews as one of the best art books of 2021). His current book project is tentatively titled "Sol LeWitt: Painting."
 
For more information, contact the museum at 413-597-2429 or visit artmuseum.williams.edu.
 

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AG Clears Williamstown Select Board in Open Meeting Complaint

By Stephen DravisiBerkshires Staff
WILLIAMSTOWN, Mass. — The Attorney General's Office on Wednesday cleared the Select Board in an Open Meeting Law complaint filed by iBerkshires.com while simultaneously confirming the supposition at the heart of the complaint.
 
The AGO found that the board did technically violate the OML when it moved to executive session on May 11, a misstep the board previously acknowledged in its response to the complaint.
 
The meeting in question was held behind closed doors to discuss the town's response to a proposal from Williams College to acquire the former town garage site at 59 Water St.
 
At the time of the May 11 meeting, the board had held no public discussion, let alone a vote, on whether to enter into negotiations with Williams, the lone respondent to a request for proposals issued by the town for the 1.27-acre parcel.
 
The board cited an exception to the Open Meeting Law that states executive sessions are appropriate if, "holding the discussion in open session may have a detrimental effect on the Board's negotiating position."
 
iBerkshires.com maintained in its complaint that the executive session was premature given the fact that the board on May 11 had no one to negotiate with as it had not agreed — publicly — to negotiate with the college.
 
The news organization cited the fact that the town's RFP clearly indicated a multi-step process in which the board first would decide whether to engage with any of the respondents (assuming multiple bids were made) and then enter into negotiation with one of the respondents.
 
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