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Photos of recreational area mats that the city of Newton submitted to the Architectural Access Board.

Dalton ADA Committee Considers Playground Mats for Parks

By Sabrina DammsiBerkshires Staff
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The mats are attached to the ground through pins and nubs. 
DALTON, Mass. — The Americans with Disabilities Act Committee is exploring adding playground mats to town parks. 
 
These mats would be laid out to provide accessible routes to playground equipment and swings.
 
ADA coordinator Alyssa Maschino heard about these mats while attending an Advanced Community Access Monitor Training. 
 
"[The state Division of Professional Licensure Office of Public Safety and Inspections Architectural Access Board] brought this up which I thought was very clever," Maschino said. 
 
"It's like a rubber matting system, which is very inexpensive compared to paving a pathway in the parks." 
 
The mats are fixed to the ground using pins and nubs. They are also secured to play equipment and swing sets using plastic stakes and stainless steel pins. The mats are connected to each other using zip ties. The mats are "relatively" quick to install and easy to maintain and repair. 
 
Newton paid approximately $3,000 to cover the costs of the mats at one of its parks but it looks like they did quite a bit, Maschino said. 
 
"Anything we can do to accentuate the beautiful parks we have and to make Dalton a more enjoyable, livable, accessible place," committee member Lyn Clements said. 
 
"It not only makes it easier for those children and adults who already live here. It makes us more attractive to diversify our community more and I think that's a great thing." 
 
These mats could also help in case the town considers investing in an ADA swing so disabled children can also enjoy the town parks, similar to Springside Park, Maschino said. 
 
The Green Committee is going to need something like this because it is putting electric vehicle chargers at Pine Grove Park, committee member David Wasielewski said. Wasielewski also serves as the town's Green Committee chair. 
 
"We're gonna need something to stabilize that area as well and make it accessible," he said. 
 
Maschino is currently in communication with Highway Superintendent Edward "Bud" Hall to gauge his interest. 

Tags: ADA,   playgrounds,   

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John Rubinstein on 'Eisenhower,' Trump, Fosse, Sondheim & Williamstown Theatre Festival

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — It's a rainy Saturday afternoon in Columbus, Ohio, and John Rubinstein is driving to the Berkshires. He left his Los Angeles home a few days ago, and his next stop is Cleveland. Once he gets to Pittsfield, he readies for his return appearance as Dwight D. Eisenhower in "Eisenhower: This Piece of Ground," a one-man show Rubinstein first did at the Barrington Stage Company last summer.
 
The show has been brought back by rave reviews and popular demand; it opens Sept. 16 and runs through Sept. 26. 
 
Rubinstein, who turns 80 in December, has been crisscrossing the country, doing the show for the past four years: "I can't wait to do it again and again and again," he said. "It's one of the great crowning pieces of luck of my career."
 
And what a career: "Crazy Like a Fox," "Family," numerous Broadway plays and musicals and TV movies and feature films and two Tony awards for "Pippin" (1972) and "Children of a Lesser God" (1980). A surprise many fans don't know: Rubinstein has scored the music to several films and TV shows, including "Jeremiah Johnson," "The Candidate," "The Dollmaker" and "China Beach."
 
During an exclusive interview over a 75-minute phone call, Rubinstein talks about liking Ike and loving "Eisenhower," as well as Donald Trump, Stephen Sondheim, Bob Fosse and the Williamstown Theatre Festival.
 
How did you hook up with 'Eisenhower?'
 
Director Peter Ellenstein sent me an email that said, "I have a play about Eisenhower, and I'd like to send it to you to consider." I read it. It was 40 pages long and single-spaced, one guy talking. I thought. "Jesus Christ, I don't know if anybody's gonna want to hear that, a two-hour monologue." But I liked it. I respected it. I found it fascinating but (a) I wasn't sure it would work as a play, (b) if I could memorize it and (c) if I could memorize it and it was a good play would anyone want to go see it? So I didn't commit myself at first. But Peter said, "Why don't you come and meet with me and the playwright, Richard Hellesson, and read the play out loud?"
 
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