STOCKBRIDGE, Mass. — Author Joan Cohen's debut novel focused on the difficult intersection of personal decision-making and data; her second takes it a step further by questioning whether the data we depend on is even real.
In "The Deepfake," protagonist Sylvie uncovers corporate malfeasance while working for an artificial intelligence company in Boston. And when she falls in love with someone who fears and hates AI, she begins to question everything she knows.
Cohen wants the novel to start a conversation surrounding AI by illustrating Sylvie's inner conflict.
"In 'The Deepfake,' I'm very troubled about how we proceed. It's a very hard issue. So, I wanted to make my readers think about that," Cohen said.
"I wanted them to see somebody struggling with it … So it's not as if it's a cocktail party conversation and then she goes home and puts on a TV. She is living this and being torn about it."
Cohen draws from her own background in marketing and as an executive for technology companies, and a corporate decision that she refused to condone because it "felt borderline illegal."
The novel also explores other ethical and sensitive topics such as people-pleasing, sexual assault, and other prevalent issues in society.
"When I write, perhaps like a lot of people, I don't know if it's like a lot of writers, I procrastinate. I avoid sitting down and doing the hard work and I find that writing about some moral issue or ethical issue keeps me in my seat. It's interesting," she said.
AI allows people to put very convincing images or videos of others on the internet doing or saying things they did not do, Cohen said, and while she doesn't know the answers, discussions need to start happening on the impact this technology has and possible safeguards.
She's heard people she considers intelligent and educated say they don't understand AI or that they are not going to worry about it yet.
"I'm just surprised to hear that they don't know that it's already here and that they don't know that they're using it necessarily, but they are," she said. "And it's something that we should be jubilant about and it's something that we should be terrified of. Those are two difficult states to be in at the same time."
She does have "one terrible fear" about AI and it is not robots taking over the world -- it is conspiracy theories and the speed of disinformation.
"My hope is that people who are a lot smarter and more knowledgeable than I am are thinking about how to solve some of these problems. If they're not, I mean, that's pretty scary," she said.
"I don't know who reads my book, but I just hope it gets people thinking and I hope it gets them going to the internet, as I have and reading articles by experts because we have different opinions from one another. But that's how we solve problems."
Cohen's father encouraged her to read the op-ed pages in newspapers because they had a range of views, she continued. "That was very good advice but when I look back on it, it seems quaint."
Today there isn't an op-ed page, rather people look up topics online and will get information supporting the point of view they already have, Cohen said. It's confirmation bias, she noted, where you take in all the facts that support the point of view that you already have and reject all the facts that don't support it.
"We might go to MSNBC on TV, if we prefer something that is more liberal, or we might go to Fox, we prefer something that's more conservative," she said. "I mean, yes, there are a few newspapers left but I don't think they're long for this world. That's critical thinking though."
Cohen said she learned about how to persuade people during her careers and it was interesting to see how people's perception changed.
"Then when I left the technology world, I drew on a lot of what I had seen, and some of it was wonderful and some of it was not so wonderful," she said. "Some of it was people who took advantage of the system and often they were very high up in companies. It's kind of 'what can I get away with' and 'this is business' and 'this is what we do. So, don't be a Girl Scout.'"
Sylvie is a people pleaser, and she is not aware of the downside of it. This trait leads her to "some very sticky ethical situations," Cohen said. "I don't think it's sexist to say that that's much more common among women than men because of how we're raised."
Cohen hopes that young people will read her book and think about whether they have people-pleasing tendencies and how it affects their life.
"I have kids, obviously, they're grown and I don't know if they've learned from my books. I think all kids believe their parents are born 40. I have two minds about that. I would like to think that I'm having a positive impact on young people but, I truly don't know," she said.
Cohen and her husband have had a vacation home in the Berkshires since 1977 and moved to the area full time when they retired about seven years ago.
The people, atmosphere, and cultural venues prevent her brain from going stale, she said, because they draw a range of people and the community is welcoming to newcomers.
"Lots of interesting people, lots of interesting conversations," she said.
Her debut novel, "Land of Last Chances," a 2019 finalist for the National Indie Excellence Awards, delved into the life of an executive facing a late-life pregnancy and a genetic conundrum.
Cohen will sign books at the Pittsfield Barnes & Noble on Saturday, April 20, at 1 p.m. and a launch party will take place at The Bookstore in Lenox on May 4 at 4 p.m.
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Sheffield Craftsman Offering Workshops on Windsor Chairs
By Breanna SteeleiBerkshires Staff
Andrew Jack uses hand tools in his wood working shop.
SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.
Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.
He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.
"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.
"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."
Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.
"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."
Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.
"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."
Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving.
Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.
"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."
He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.
"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."
People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.
"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.
"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."
His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.
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