Triplex Cinema Screening of 'Bill Cunningham New York'

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GREAT BARRINGTON, Mass. — The Triplex Cinema announced a special screening of the award-winning documentary "Bill Cunningham New York." 
 
The screening will be followed by talkback with director Richard Press and producer Philip Gefter, interviewed by award-winning documentarian Bobby Houston.

The screening will take place on Wednesday Aug. 14 at 7:00 pm. Tickets are available at Triplex Cinema Website.

According to a press release:
 
Cunningham was for more than 50 years a legendary photographic chronicler of fashion trends, often seen on the streets of New York City and at high society charity events. His work appeared in many places, most notably in The New York Times Style section in his columns "On the Street" and "Evening Hours." Appearing in the film and speaking about Cunningham and his work are  noted society figure Brooke Astor, Vogue Editor Anna Wintour, philanthropist David Rockefeller, New York Times publisher Arthur Sulzberger Jr., and journalist and novelist Tom Wolfe, among others. 
 
Made to honor Cunningham on his 80th birthday, director Richard Press and producer Philip Gefter spent two years following Cunningham (after eight years spent trying to convince him to make the film) as he went about his work, while also interviewing him in the famed Carnegie Hall studios, where he was one of the last two residents remaining in the building. The film was made without any crew, relying on small handheld cameras so that Cunningham, a famously private person, would not feel intruded upon. Cunningham continued to work up until the time of his death in 2016.
 
Philip Gefter, who recently appeared at the Triplex to speak about his new book "Cocktails with George and Martha: Movies, Marriage, and the Making of Who's Afraid of Virginia Woolf," is a longtime writer on the world of photography, including more than fifteen years with the New York Times. His books include "What Becomes a Legend Most," a biography of Richard Avedon, and "Wagstaff: Before and After Mapplethorpe."
 
Joining Philip Gefter and Richard Press in conversation is Academy Award-winning documentarian Bobby Houston.
 
Triplex Board President Nicki Wilson said: "we could not be happier to welcome Philip Gefter back to the Triplex after our great "Who's Afraid of Virginia Woolf" event earlier this year. "Bill Cunningham New York" is a wholly original film about a wholly original person, and we know that director Richard Press, Philip and Bobby Houston will have a lively and memorable conversation about this important, moving and memorable film." 
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Sheffield Craftsman Offering Workshops on Windsor Chairs

By Breanna SteeleiBerkshires Staff

Andrew Jack uses hand tools in his wood working shop. 

SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.

Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.

He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.

"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.

"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."

Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.

"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."

Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.

"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."

Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving. 

Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.

"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."

He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.

"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."

People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.

"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.

"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."

His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.

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