GREAT BARRINGTON, Mass. — The Berkshire Bach Society (BBS) announces its annual Harpsichord Festival with two concerts at Saint Paul's Episcopal Church in Stockbridge.
On Sept. 21, 4pm, Peter Sykes plays a 50th Anniversary Recital commemorating his public debut in 1974; and on October 19, 4pm, Elliot Figg and Caitlyn Koester play Skeletons of the Opera, a concert of Baroque opera transcriptions for harpsichord, four hands.
"Berkshire Bach is delighted to present our harpsichord recitalists in two special concerts that showcase both the players and the instrument in repertoire that spans the Baroque spectrum," said Terrill McDade, Executive Director of The Berkshire Bach Society. "It's an opportunity to hear these wonderful musicians in the virtuosity and drama that are typical of Baroque music—from Purcell to Bach, from the chamber to the opera house—with all the big contrasts and different humors that characterize music of the period."
According to a press release:
Peter Sykes, familiar to Berkshire Bach audiences as an organist in The Organ Masters series, is considered one of the most distinguished and creative keyboard artists performing today. He is also an important educator in the art of playing the harpsichord, with posts in the Historical Performance Department at The Juilliard School, Boston University, and the University of Michigan, and is a founding Board Member and current President of the Boston Clavichord Society. In the Sept. recital he plays a new-to-him instrument that he describes as "spectacular" in both looks and sound that he acquired in 2024 with a legacy from one of his students. It is a little different from the one he used in his debut recital: an instrument that he and his father built in 1974, that he has modified over the years, and that he still owns and uses for performing and teaching.
This is his first solo harpsichord recital for Berkshire Bach.
In the second concert of the Harpsichord Festival, the keyboard duo of Elliot Figg and Caitlyn Koester presents an entertaining look at the world of Baroque theatre when they return to play Skeletons of the Opera, transcriptions of Baroque opera for harpsichord, four hands. Berkshire Bach audiences may remember the pair's two-harpsichord recital last season in which they played music by members of the two great keyboard dynasties of the Baroque era, the Couperin and Bach families. This year they broaden the program with theatre music by Henry Purcell, G.F. Handel, J-B Lully, and the rarely heard Élisabeth Jacquet de La Guerre, musician to Louis XIV and one of the few well-known women composers of the time. The program provides the opportunity to hear the distinct national styles of English and French opera side-by-side. They perform on the dual-manual Dowd harpsichord BBS features in the Bach at New Year's concerts.
Join Berkshire Bach for the 2024 Harpsichord Festival at 4pm on Sept. 21 and October 19 at Saint Paul's Episcopal Church in Stockbridge. Tickets: $45 Nonmembers $40 BBS Members $10 Card to Culture. Children under 18 and Students with valid ID free.
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Sheffield Craftsman Offering Workshops on Windsor Chairs
By Breanna SteeleiBerkshires Staff
Andrew Jack uses hand tools in his wood working shop.
SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.
Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.
He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.
"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.
"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."
Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.
"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."
Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.
"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."
Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving.
Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.
"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."
He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.
"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."
People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.
"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.
"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."
His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.
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