Clark Art Screens Free Small Town Film Series

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WILLIAMSTOWN, Mass. — This March and April, the Clark Art Institute hosts a series of modern and classic films highlighting the charms of small towns.

All films are free and screened in the Manton Research Center auditorium on select Thursdays at 6 pm.

March 6

"The Magnificent Ambersons" (1942)

Director Orson Welles follows the declining fortunes of the wealthiest family in town through its spoiled heir George (Tim Holt). As the Ambersons fall, the town they were once the talk of begins to change too.

(Run time: 1 hour, 28 minutes)

 

March 13

"George Washington" (2000)

Four children at the edge of adolescence make a mistake that cannot be undone. One of them, George (Donald Holden), emerges as a local hero. David Gordon Green’s film is about the relationship between choice and chance, and the aspirations that still prevail outside of it.

(Run time: 1 hour, 29 minutes)

 

March 20

"Dazed and Confused" (1993)

It is the last day before summer

vacation at a Texas high school in 1976. Director Richard Linklater captures the students’ mood perfectly through the smoke and angst. He cast local youth—including Matthew McConaughey in his first role—and borrowed names and characters from his own childhood in Huntsville, Texas.

(Run time: 1 hour, 43 minutes)

 

March 27

"Shadow of a Doubt" (1943)

Teenager Charlie Newton (Teresa Wright) is bored out of her mind. When her worldly Uncle Charlie (Joseph Cotten) shows up, things become much more exciting, as Charlie begins to suspect him of a string of widow murders. This was director Alfred Hitchcock’s favorite of his own films.

(Run time: 1 hour, 48 minutes)

 

April 3

"Shotgun Stories" (2007)

Jeff Nichols’s debut feature Shotgun Stories hinges on the death of a father who leaves behind two groups of feuding sons. It’s an age-old problem, the town just isn’t big enough for both gangs. A Shakespearean climax awaits.

(Run time: 1 hour, 32 minutes)

 

April 10

"Stellet Licht" (2007)

Bookended by a sunrise and a sunset, this film unfolds gradually and beautifully in a German Mennonite community in Chihuahua, Mexico. Director Carlos Reygadas follows Johan (Cornelio Wall Fehr), a married man in love with another woman.

(Run time: 2 hours, 16 minutes)

 

April 17

"The Last Picture Show" (1971)

Teenagers Sonny (Timothy Bottoms) and Duane (Jeff Bridges) navigate friendship and fate, their trajectories intersected by the viper-like Jacy (Cybill Shephard). This may be Peter Bogdanovich’s most important directorial work.

(Run time: 1 hour, 58 minutes)

Free. Accessible seats available; for information, call 413 458 0524. For more information, visit clarkart.edu/events.

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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