Mahaiwe Awarded Barr Foundation Cultural Evolution Grant

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GREAT BARRINGTON, Mass. — The Mahaiwe Performing Arts Center is among eight recipients statewide of the Barr Foundation's $3.3 million Cultural Evolution initiative, the Boston-based foundation recently announced in a statement. 
 
The Cultural Evolution initiative, part of the Barr Foundation's Arts + Creativity program, seeks to support local arts anchors as they evolve by providing change capital grants and coaching support; fostering community among recipients; and supporting boards to lead through this change. The program will provide multi-year operating grants, as well as technical assistance and peer learning opportunities that support business modifications, adaptation, and risk-taking during a pivotal moment of organizational transformation, stated a press release. 
 
The full list of recipients is comprised of Boston Lyric Opera, Community Access to the Arts, Community Music Center of Boston, Company One, Double Edge Theatre, Global Arts Live, Mahaiwe Performing Arts Center, and Zeiterion Performing Arts Center.  
 
During the selection process, the Barr Foundation considered each organization's business model transformation proposal and impact; the organization's financial status and readiness to take on business model transformation; alignment between board and staff on current strategic direction as evidenced by a board-approved strategic plan; the organization's equity journey; and their ability to adapt to sudden or evolving change. 
 
The Mahaiwe recently completed another program with the Barr Foundation, the six-year Barr-Klarmann Massachusetts Arts Initiative (BKMAI). Like the Cultural Evolution initiative, BKMAI consisted of a cohort of organizations statewide. BKMAI fostered capitalization, adaptability, and social equity in its 29 participating organizations. 
 
In that timespan, the Mahaiwe formalized a five-year Strategic Plan, made facility improvements from audio and projection upgrades to architectural and theatrical LED lighting, new stage drapes and a full replacement of the slate roof, and saw back-to-back record-breaking years for sold-out shows in 2023 (seven) and 2024 (11), among other growth. 
 
"I have watched the Mahaiwe strategically grow and evolve its organizational practices over the past seven years," said SueEllen Kroll, senior program officer in Arts & Creativity at the Barr Foundation. "We are excited to continue our support of Mahaiwe's growth as a community catalyst for the local arts scene. In this next phase, the new capital project will allow for greater access, artistic risk-taking, and community partnership – all things that will greatly serve the Berkshires' arts sector."
 
In enacting its recently-adopted Strategic Plan, this year, the Mahaiwe will expand physically, with a second location next door to the theater. 
 
"We are deeply grateful to the Barr Foundation and thrilled to have the opportunity to work with the Foundation and these leading Massachusetts cultural organizations as we each navigate transformational growth," said Mahaiwe Executive Director Janis Martinson. "This grant and collaborative learning will support the Mahaiwe's vision to expand our artistic and community reach as we put more artists on our stages and create more opportunities for audiences to engage with the performing arts and each other." 

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Sheffield Craftsman Offering Workshops on Windsor Chairs

By Breanna SteeleiBerkshires Staff

Andrew Jack uses hand tools in his wood working shop. 

SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.

Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.

He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.

"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.

"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."

Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.

"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."

Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.

"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."

Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving. 

Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.

"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."

He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.

"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."

People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.

"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.

"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."

His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.

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