Clark Art Lecture On Museum Education and Ukrainian National Identity

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WILLIAMSTOWN, Mass. — On Tuesday, April 8, the Clark Art Institute's Research and Academic Program presents a talk by Svitlana Tymkiv (City Museum of Lviv, Ukraine / Futures Fellow) titled "Museum Education as a Factor in the Formation of National Identity."
 
This free event takes place at 5:30 pm in the Manton Research Center auditorium.
 
According to a press release:
 
Tymkiv examines how issues of national identity in Ukraine have become particularly relevant in the country since the outbreak of the full-scale war. In 2010, studies showed that in eastern Ukraine, the vast majority of the population self-identified as carriers of combined identities—identities influenced by past state formations, and associated with local history, gender, and occupation. By February 2022, the threat of the destruction of Ukrainian culture prompted an almost immediate switch, resulting in the population's self-identification as first and foremost one of Ukrainian nationality. If before the war someone defined themselves by their place of residence (eg., a Kyivan or a Lvivian), now everyone primarily calls themselves a Ukrainian. Museum programs play an important role in this process: they provide both an opportunity to study and learn about culture and art from real artifacts and sources, as well as a forum in which these objects are accessible to various ages and social groups. This lecture analyzes examples of educational programs in museums over the past three years that contributed most meaningfully to the formation of a Ukrainian national identity.
 
Tymkiv is a museologist, cultural manager, and researcher of museum education. She works at the City Museum in Lviv, Ukraine. Her professional experience combines theoretical studies of museum educational activities and practical participation or organization of such events. An important aspect of her work is the introduction of participatory practices, shifting the focus from the museum object to the visitor, the development of such topics as urbanism, urban mobility, and histories of everyday life. Her project at the Clark involves researching museum education pedagogy and methods in the United States and analyzing best practices for implementing similar approaches or programs in Ukraine.
 
Free. Accessible seats available; for information, call 413 458 0524. A 5 pm reception in the Manton Research Center reading room precedes the event. 
 
 

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Williams College Art Museum Will Be a Lab for Sustainability

By Tammy Daniels iBerkshires Staff

Michael Evans and Tanja Srebotnjak of  the Zhilka Center for the Environment get into details about green standards. 
WILLIAMSTOWN, Mass. — The sustainable aspects of the new $175 million Williams College Museum of Art will influence the next generation of arts leaders. 
 
"Really building a learning laboratory for sustainable art museums for the future," said Pamela Franks, museum director, at Monday night's community forum.
 
"One of the really distinctive features of the Williams College Museum of Art is its long tradition and contribution to the field of arts leadership. So a student who's leading a tour today may be the director of a major museum tomorrow, and everything that the student learns over the time that they're here at Williams becomes a kind of possibility for impact moving forward."
 
The forum at the Williams Inn was the latest public update on the museum's progress and information on its various aspects, this time on its sustainability focus. 
 
When it opens in fall 2027, the single-story structure designed by Brooklyn-based firm SO–IL will be something of an epitome of the college's sustainability and conservation ethos, first formally adopted by the trustees in 2011.
 
Over nearly 20 years, construction and renovations on campus have focused on attaining energy efficiencies, with projects over $5 million required to reach the gold standard in Leadership in Energy and Environmental Design, or LEED. The college has also sought the Living Building Challenge's Petal level in several cases. 
 
The museum is also looking to become an International Living Future Institute core building, of which only two now exist, and is focusing on Energy Use Intensity benchmarks, with the goal to operate with 70 percent less usage than a comparable 1990 museum. The structure will also be "zero ready" for solar, although it will powered through electricity not solar panels. 
 
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