Clark Art Institute to Air "Figaro" Broadcast

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WILLIAMSTOWN, Mass. — The Clark Art Institute will present a broadcast of the Metropolitan Opera’s production of "Figaro" on Saturday, April 26, at 1 p.m. in the Manton Research Center auditorium.

The broadcast is part of "The Met: Live in HD" series and will feature the full opera performance, including backstage interviews and commentary. Joana Mallwitz will conduct the ensemble cast, which includes Michael Sumuel, Olga Kulchynska, Joshua Hopkins, Federica Lombardi, and Sun-Ly Pierce.

Prior to the broadcast, from 11 a.m. to 1 p.m., the Manton Study Center for Works on Paper will host a display of prints, drawings, and photographs related to the theme of marriage.

Tickets are $25, with discounts available for Clark members, students, and children. Advance registration is recommended. Tickets can be purchased at clarkart.edu/events or by calling 413 458 0524.

The next "Met: Live in HD" performance at the Clark will be "Salome," screening on May 17 at 1 p.m.

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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