Williams College Graduate Student to Present Judith M. Lenett Lecture at Clark Art Institute

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WILLIAMSTOWN, Mass.— Williams College graduate student Riley Yuen (M.A. Class of 2025) will present the 2024–25 Judith M. Lenett Lecture at the Clark Art Institute on Monday, May 19, at 5 p.m.

Yuen, the Judith M. Lenett Memorial Fellow, will discuss her research on the artistic practice of Nam June Paik, focusing on a 1986 untitled multimedia piece recently acquired by the Plattsburgh State Art Museum.

The artwork consists of two rectangular painted canvases joined at an angle, featuring three functional audio-visual units with rear-mounted monitors and two antennas on the top edges. Yuen’s research included examining comparable audio-visual units from the 1970s to the 1990s, conducting surface cleaning, performing material imaging analysis, and consulting with relevant parties. Her lecture will cover the object's condition and history, as well as ethical considerations in time-based media conservation, addressing its treatment and future display.

The Judith M. Lenett Memorial Fellowship is awarded annually to second-year students interested in conservation issues within American art. Lenett Fellows collaborate with conservators from the Williamstown + Atlanta Art Conservation Center (W+AACC) on a project involving the research and conservation of an American art object.

The lecture will take place in the Hunter Studio of the Lunder Center at Stone Hill and is free and open to the public. A reception will follow the presentation.

 

 


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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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