Clark Art Hosts Free Community Day

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WILLIAMSTOWN, Mass—On Sunday, July 13, the Clark Art Institute opens its doors for Community Day: Art In Action.

Visitors enjoy free admission all day (10 am–5 pm), and from 11 am to 4 pm, the Institute offers artmaking activities, live entertainment, and more. 

Visitors can view the Clark's permanent collection galleries and special exhibitions for free, including A Room of Her Own: Women Artist-Activists in Britain, 1875–1945Berenice Abbott's Modern Lens; and Mariel Capanna: Giornata. Throughout the day, live entertainment, delicious local food, and special surprises promise a memorable day for visitors of all ages.

The Clark's 140-acre campus offers walking trails through its woodlands and meadows and provides views from atop Stone Hill. While walking the grounds, explore Ground/work 2025, an outdoor sculpture exhibition featuring a dynamic range of presentations by international artists, Y? Akiyama, Laura Ellen Bacon, Aboubakar Fofana, Hugh Hayden, Milena Naef, and Javier Senosiain. 

The full entertainment lineup is:

Mama Train
11–11:50 am, 2–2:50 pm
Museum Pavilion Terrace

Mama Train celebrates the spirit of the Jazz Age with rich female vocals and dynamic expressive piano. Their soulful melodies and lively instrumentation combine to create a small act with a big vintage sound!

Great Small Works
12–12:15 pm, 1:30–1:45 pm, 3:15 pm
Museum Pavilion Terrace

Theatre group Great Small Works performs Three Graces an Op-Art cantastoria (banner show with sung recitation) based on the lives of Grace Lee Boggs, Grace Paley, and Grace Kelly.

Raye Zaragoza
12:30–1:15 pm, 3:15–4 pm
Museum Pavilion Terrace

Raye Zaragoza is a Los Angeles-based singer-songwriter who challenges traditional expectations placed on women as they get older. Her album Hold That Spirit explores themes of self-investment, joy, and the female experience.

Rachel Clemente
11–11:45 am, 12–12:45 pm, 1–1:45 pm, 2–2:45 pm, 3–3:45 pm
Clark Center lower lobby

Rachel Clemente is a New England-based pedal and traditional Scottish harpist.

Community Day is free and open to the public. Refreshments are available for purchase. This event happens rain or shine. For more information, visit clarkart.edu/events.


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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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