Clark Art Presents Outdoor Discussion Series

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WILLIAMSTOWN, Mass. — This July and August, the Clark Art Institute presents a free series of educator-led examinations of the monumental sculptures in the outdoor exhibition Ground/work 2025.
 
The Ground/work 2025: A Close Look discussion series focuses on one artwork per tour. Through guided conversation and reflection, participants consider how each artist's work is in active dialogue with the Clark's natural environment. All tours take place at 1 pm and meet at the Lunder Center at Stone Hill unless otherwise noted.
 
July 26: Laura Ellen Bacon's Gathering My Thoughts
 
August 2: Aboubakar Fofana's Bana Yiriw ni Shi Folow (Trees and Seeds of Life)
 
August 9: Milena Naef's Three Times Spanning
 
August 16: Y? Akiyama's Oscillation: Vertical Garden
 
August 23: Hugh Hayden's the End
 
August 30: Javier Senosiain's Coata III (meets in the Museum Pavilion)
 
Free. Requires a moderate hike on uneven and occasionally steep terrain. Held rain or shine; extreme weather cancels the event. 

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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