Clark Art Family Artmaking Series

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WILLIAMSTOWN, Mass. — On select Thursdays this July and August, the Clark Art Institute presents a free series of family artmaking programs inspired by the sculptures of Isamu Noguchi.

Check out the exhibition Isamu Noguchi: Landscapes of Time, and get inspired by Noguchi's floating lanterns, mini models, and sculptures of stone and steel. Drop by anytime between 1–4 pm to make your own light sculpture. Mix and match materials such as wire, reed, and rock to create a sculpture that can hold a little light. Bring home your "landscape of time" and see how your sculpture changes in different lighting.

This series takes place on July 24 and 31 and August 7, 14, 21, and 28, from 1–4 pm on the Fernández Terrace.

Free. Rain cancels this event. For more information, visit clarkart.edu/events.

Family programs are supported by Allen & Company.

 


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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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