Clark Art Hosts Opening Lecture for Bernice Abbott's Modern Lens

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WILLIAMSTOWN, Mass. — On Saturday, July 12, at 11 am, the Clark Art Institute celebrates the opening of its newest exhibition Berenice Abbott's Modern Lens with a free lecture. 
 
Grace Hanselman, exhibition curator and curatorial assistant for works on paper, introduces the work of Berenice Abbott, a pioneering documentary photographer known best for her portraits of the Parisian avant-garde and striking snapshots of twentieth-century New York.
 
The talk takes place in the Manton Research Center auditorium.
 
In the 1920s, American-born Abbott worked as an assistant to Man Ray in Paris before her career as a portraitist solidified in its own right. In a major artistic pivot, she returned to the United States in 1929 to undertake her most celebrated project: documenting New York City's rapid urban transformation. Lesser-known but equally accomplished is her body of work photographing other cities and towns in the American Northeast. 
 
This exhibition showcases selections from a 2007 gift of over 400 Abbott photographs, some iconic and rarely if ever exhibited, highlighting her enduring impact on modern photography.
 
Free. Accessible seats available. Advance registration required at clarkart.edu/events or call 413 458 0524.

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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