SHEFFIELD, Mass. — Architectural historian Eric Gradoia will discuss the Bidwell House Museum as an example of 18th century New England domestic architecture.
The talk will be held on July 26 at 11 am at the Bidwell House Museam.
This in-Person event costs $15 for members and $25 for Non-Members $25. Via zoom the event is free for members and $15 for non members.
According to a press release:
The Bidwell house is a fascinating example of New England vernacular architecture. A product of several building campaigns, the core of the house was built c.1760, with additions made to it at different times throughout the 19th century. This talk will look at the Bidwell house as a regional example of eighteenth century domestic architecture, using it to explore common house types and floor plans of the period, along with the materials and technology used in the construction of these homes.
Eric Gradoia is an Architectural Historian with the Albany firm of Mesick, Cohen, Wilson, Baker Architects. Prior to his current position, Mr. Gradoia was the Director of Historic Preservation at Historic Deerfield, where he was responsible for the repair and restoration of the museum's fifty-five buildings which range in age from the early eighteenth-century to the late twentieth-century. Mr. Gradoia has worked as an adjunct faculty member in the Historic Preservation Program at Roger Williams University, Bristol, Rhode Island and the Boston Architectural College (BAC). Early in his career, Mr. Gradoia worked as project manager for the Massachusetts Preservation Projects Fund (MPPF), administered by the Massachusetts State Preservation Office.
Gradoia has his undergraduate degree in Historic Preservation from Roger Williams University and his M.S in Historic Preservation from the University of Vermont. As a graduate student, Gradoia participated in the US/ICOMOS International Exchange Program as an intern with the National Trust in North Yorkshire, England at Fountains Abbey. Gradoia's primary expertise is in 17th, 18th, and 19th century vernacular architecture, construction technology, and domestic conveniences.
This lecture will be in-person at the Bidwell House Museum and will also be viewable via Zoom. Zoom attendees must register in advance in order to receive the Zoom link and due to limited space at the Museum, we do ask in-person attendees to also register in advance.
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Sheffield Craftsman Offering Workshops on Windsor Chairs
By Breanna SteeleiBerkshires Staff
Andrew Jack uses hand tools in his wood working shop.
SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.
Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.
He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.
"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.
"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."
Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.
"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."
Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.
"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."
Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving.
Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.
"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."
He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.
"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."
People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.
"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.
"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."
His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.
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