The Du Bois Freedom Center, The Scottsboro Boys Museum to Host Travel Exhibit

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GREAT BARRINGTON, Mass.—The Du Bois Freedom Center hosts The Scottsboro Boys Traveling Exhibit, opening Tuesday, Feb. 10, from 11:00 a.m. to 3:00 p.m. at the Center's Main Street office, located at 309 Main Street in Great Barrington.

Presented byThe Scottsboro Boys Museum in Scottsboro, Alabama, the exhibit will remain on view through late April.

The exhibit tells the story of nine Black teenagers who became international symbols of racial injustice in the 1930s. The Scottsboro Boys case sparked global outrage and was the foundation for two paramount U.S. Supreme Court decisions. Its legacy to the civil rights movement is immeasurable. 

"This exhibit connects the Scottsboro Boys' legacy to the enduring fight for justice that W.E.B. Du Bois championed," said Dr. John D. Lloyd, Interim Executive Director of the Du Bois Freedom Center. "We are honored to bring this history to Massachusetts."

The partnership between the Du Bois Freedom Center and the Scottsboro Boys Museum brings together two seminal forces in civil rights history. It explores the NAACP's involvement in the Scottsboro Boys case, the responses of communities in the North—particularly in Massachusetts—and the enduring legal strategies that emerged from the case, many of which continue to shape justice efforts today.

This will be the first showing of the travel exhibit outside of Alabama. Dr. Thomas Reidy, Executive Director of The Scottsboro Boys Museum, said,  "We have shown it throughout the state, but this is its first journey above the Mason-Dixon line."  

In conjunction with the exhibit, the Du Bois Freedom Center and the Scottsboro Boys Museum will host a moderated conversation on Thursday, February 12, at 5:00 p.m. at the Mahaiwe Performing Arts Center. The exhibit will be open for viewing prior to the discussion. The program will feature Dr. Thomas Reidy and Dr. Whitney Battle-Baptiste, Director of the W.E.B. Du Bois Center at UMass Amherst, and will be moderated by Marcus P. Smith, History and Archival Fellow at the Du Bois Freedom Center.

"The history of the Scottsboro Boys Case—and the work of the Scottsboro Boys Museum—is both inspiring and essential, highlighting the powerful role museums can play in fostering community and advancing justice," said Marcus Smith.

More information about the associated events or the travel exhibit is available at www.thescottsboroboysmuseum.com

 

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Sheffield Craftsman Offering Workshops on Windsor Chairs

By Breanna SteeleiBerkshires Staff

Andrew Jack uses hand tools in his wood working shop. 

SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.

Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.

He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.

"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.

"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."

Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.

"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."

Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.

"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."

Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving. 

Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.

"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."

He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.

"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."

People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.

"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.

"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."

His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.

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