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Marilyn Cavallari presents BCAC's Aleta Monchecci with a check for $776 raised by area artists for the Elf warm clothing program.

Berkshire Artists Raise Money for Elf Program

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WILLIAMSTOWN, Mass. — A number of local artists raised nearly $800 for the Berkshire Community Action Council's Elf Program. 
The benefit art show and reception was held recently at Gramercy Bistro on Water Street. Featured artists included Marilyn Cavallari, Kathryn Benson, Liz Cunningham, Stephen Dankner, Ellen Joffe Halpern, Jane Hudson, Kaye Shaddock and Mary Weissbrodt.
"I wanted to raise at least a thousand and we came close," Cavallari said, who presented a check for $776 to Aleta Moncecchi, the program's deputy director for Northern Berkshire.
The Elf Program has been providing warm winter clothes for area children in need for many years. Children age 12 and younger get a new coat, hat, mittens, scarves a winter outfit or pajamas. The program served more than 2,000 children in the Berkshire last year. 

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Clark Art Lecture on Ancient and Modern 'Body Worlds'

WILLIAMSTOWN, Mass. — On Tuesday, April 4 at 5:30 pm, the Clark Art Institute's Research and Academic Program hosts a talk by Research and Academic Program Fellow Kathryn Howley, who argues that the bodily preoccupation of ancient Egyptian art is one reason why it has proven appealing to modern audiences, ever since the beginnings of modern Egyptology in Napoleon's expedition to Egypt in 1798.
According to a press release, by analyzing the original sketches made by members of Napoleon's expedition as well as the resulting engravings published in the book "Description de l'Égypte" (1809–1820), this lecture demonstrates that although scholars were drawn to the proliferation of bodies in Egyptian art, they distorted unfamiliar Egyptian proportions into something akin to the Greco-Roman ideal, which were acceptable to European eyes.  
Kathryn Howley is the Lila Acheson Wallace Assistant Professor of Ancient Egyptian Art and Archaeology at the Institute of Fine Arts of New York University. She is interested in the material culture of intercultural interaction and identity, which she explores through her fieldwork project at the Amun Temple of King Taharqo at Sanam in Sudan. At the Clark, she is working on a book manuscript that argues that the proliferation of bodies in ancient Egyptian imagery is central to how the proliferation has functioned upon its audience, both ancient and modern; the manuscript also explores the ways in which modern body politics have influenced the understanding of ancient Egyptian art. 
Free; no registration is required. 
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