'Skyfall': License to Entertain

By Michael S. GoldbergeriBerkshires Film Critic
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Popcorn Column
by Michael S. Goldberger  

Columbia Pictures
James Bond, portrayed by Daniel Craig must stop world domination from a psychopathic computer genius in 'Skyfall.'
"Goldberger. Mike Goldberger." Well, that's the way the adolescent me hears it whenever the latest 007 issues his introductory "Bond. James Bond." It's a great fantasy writer Ian Fleming gave us. And now, with the franchise successfully entrusted to Daniel Craig's capable hands, director Sam Mendes's "Skyfall" takes its place among the best Bonds.
 
Rousing, colorful, determined, funny and respectful of the noble pageantry that began with "Dr. No" (1962), "Skyfall" superbly synthesizes good old-fashioned, location-style cinematography with CGI technology. So when a runaway subway train almost derails our favorite secret agent's plans to stay alive, even jaded eyes are rendered rapt.

out of 4

Smartly exampled here, our 007s, like our presidents, more or less mirror the times and the people in whose service they are engaged. Thus Craig reflects a pragmatic exigency, tossed in with the most subtle vulnerability, just so that we know his heart is in the right place. He must be a boy scout, but hip — honest and brave, but a savvy realist.
 
Oh, but he still has to be the guy every man wants to be and every woman wants to be with, in a fanciful sense, that is. Without being sacrilegious by denying Sean Connery's status as the inaugural, iconic Bond, it behooves to note that Craig's rather ruddy world saver, while he looks OK enough in a tux, reinterprets the idea of dashing.
 
Likewise, the story in which we plop our intrepid adventurer has to represent current fears and concerns. Of course, it's never about stopping a motorist from cutting you off or passing you on the right. Nope, the bad guy is inevitably into nothing less than world domination. And this one, computer genius/terrorist/psychopath Silva, is a real dilly.
 
Portrayed by Javier Bardem with flourishes of Shakespearean tragedy, he is one icky dude and an adversary worthy of the film's hero. Coiffed in died blonde locks, a sadistic zeal projecting from his crazed eyes, he is at once cutting edge evil and, because of his Moriarty-like desire to impress his counterpart, a grand throwback to the villains of yore.
 
But what makes the insidious rat even worse than most blackguards who'd destroy everything to have their way is his deeply personal hatred for Judi Dench's M. I can't tell you why, but he has it in for Bond's boss and everything she represents. Always a step ahead, he is the ultimate hacker, wreaking deadly destruction with but a keystroke.
 
It's a good thing that all is patched together and hobbling along at Her Majesty's Secret Service, recently forced to set up clandestine digs. At the ready there with all manner of gizmos and gadgets, reminiscent of that genius kid you knew in high school, is Ben Whishaw as the series' new Q, a dry-witted sort barely old enough to be playing spy.
 
OK, OK, I see you way in the back urgently waving your hand. Ask your question so I can get on with the review.
 
Clears his throat, looks around and then inquires, "Uh, you haven't said anything about the Bond girls. I mean, you said this is good, that's great, etc., etc., blah, blah tradition, but nothing about the Bond girls. What about the Bond girls?"

"Good question, young man. Remember, we're in the 21st Century now, and with a more serious demeanor taking hold in all things 007, it just wouldn't do to flaunt a whole bunch of frivolous eye candy. So, with all due respect to Naomie Harris, who plays James's fellow agent, Eve, and Bérénice Marlohe as Severine, a femme fatale impressed into Silva's employ, no sir, you'll find no double entendre-named Pussy Galores or Plenty O’Tooles in this film. The ladies now have the equal opportunity to wear sensible shoes."
 
Alas, just as Lautrec notes that respectability has invaded the "Moulin Rouge" (1952), political correctness has come to roost in the world of derring-do. But this doesn't preclude fomenting some Freudian/Oedipal ruminations courtesy of the critical role Dench's M plays. Psychodrama shares center stage with treachery and two-fisted action.
 
And there's a surprise. As if consolation for strict constructionists, a serendipitous harking back to classic Bond at a pivotal moment in the tale should get audiences to issue a collective "Well, alright!" It's a grand moment, emotionally analogous to that juncture in the foreign legion films when distant bagpipes declare approaching reinforcements.
 
Now, if we could only get the otherwise stellar Craig, the finest Bond since Sean Connery, to wax sad with just a touch less severity, the business of saving humanity from evildoers would prove even more enthralling. That said, the decoded message here for the diehard faithful as well as those who thought 007’s number was up, is to catch "Skyfall."
 
"Skyfall," rated PG-13, is a Columbia Pictures release directed by Sam Mendes and stars Daniel Craig, Javier Bardem and Judi Dench. Running time: 143 minutes
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Sheffield Craftsman Offering Workshops on Windsor Chairs

By Breanna SteeleiBerkshires Staff

Andrew Jack uses hand tools in his wood working shop. 

SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.

Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.

He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.

"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.

"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."

Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.

"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."

Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.

"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."

Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving. 

Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.

"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."

He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.

"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."

People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.

"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.

"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."

His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.

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