'Monsters University': Your Safety School at Best

By Michael S. GoldbergeriBerkshires Film Critic
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Popcorn Column
by Michael S. Goldberger  

Walt Disney Studios
Mike Wazowski, voiced by Billy Crystal, experiences the college life in 'Monsters University."
Consider it no great loss if your future college kid doesn't attend director Dan Scanlon's "Monsters University," a disappointing prequel to "Monsters, Inc." (2001) delivered with an ultimately curious message in useless 3-D. While Billy Crystal and John Goodman reprise their verbalizations, most of the first film's supporting staff fails to matriculate.
 
But it's lack of magic, vision and artistry that keeps this underachiever from entry into Filmdom's Ivy League of kiddy flicks. Embarrassingly bereft of all inspiration beyond the profit incentive, the unimaginative screenplay recalls the desperation of a student looking to copy from an, ahem, smarter source. The result is pointlessly cumbersome.
 
out of 4
 
Aside from some vaunted booing and visual ballyhooing as freshmen monsters Mike Wazowski (Billy Crystal) and James P. "Sulley" Sullivan  (John Goodman) try to earn degrees in scaring, there's little in this G-rated animation to hold Taylor or Britney's interest. Or, as my succinct review for the fortune cookie company reads: "A story seeking common ground between child and adult finds only the error of its ways."
 
This alleged adult enjoyed the story only for the early exposition as rituals of freshman year nostalgically jogged memories of those initial days at dear Olde Ivy Film Criticism College -- the wondrous uncertainties, the posturing, the discovery, the outlandish tales, and most of all the crazy characters with whom you would share the defining experience.
 
From there it's all downhill, the droning on of formulaic notions deficient in any true creative joy. The saga is enunciated with the perfunctory bedtime story cadence of the babysitter you only hire when the really good one is busy. With a running time of 110 minutes, accompanying adults will wish Pixar didn't give you your money's worth.
 
But little movie palates don't care about the pompous perceptions of those engaged in speculating which movies they'll like. Inscrutably picking and choosing nonetheless, solely by chance some moppets between 5 and 8 will find this film mildly amusing. They may even want a DVD to play the den ad nauseam. Big deal if they can't follow the plot.
 
But it'll be the change of venue, a place to be rambunctious with other ragamuffins en masse and the concession stand that wows them more than the movie. I think if it weren't for the fact that I was "being good" the day I saw "Monsters University," a "Best Value"-sized popcorn bucket, some Whoppers and a Baby Ruth might have ameliorated matters.
 
You see, until they do the sci-fi thing in their teens, discover subtitles at the art house when in college and then more or less cultivate their cinema tastes whilst spooning around for a mate, it's really just an outing. The studios hope you'll take 'em, good reviews or bad. So, you pass this one off on the grandparents if possible. You won't fool them, but then, they know you by now.
 
In any case, per Dr. Halberstoddter back at Olde Ivy, "No matter how insipid the movie and how inane a task it seems, it behooves the critic to devote at least a few words to the film's gist." Which puts me in a sort of spot. To inform what disgruntles most about the movie's purport, I'll have to give away a bit and make you swear you won't tell Junior.
 
That agreed, note that, no matter how things go for Mike and Sulley at Monsters University, we know that later, in "Monsters, Inc.," they will become gainfully employed, probably have their own apartment, health benefits and maybe even a 401k. Save for their relative happiness, what more could a parent ask? But the road to that goal winds oddly.
 
The film ends rather bizarrely. That is, unless you're aiming to teach the kid a really big lesson in existentialism. Fact is, except for winning some bragging rights, the guys don't do very well at school. And what's worse, it isn't for lack of effort, especially in Wazowski's case. Geez... Bush graduates Yale, and these guys can't even... oh well.
 
With all respect to Bill Gates, Mark Zuckerberg and any other billionaire wunderkinds who've proved that you don't need a diploma to make tons of money, I doubt there's a high school guidance counselor in the country who points out their path as an option -- "Let's see Billy, you can go to Harvard, Stanford, or, maybe just invent something, huh?"
 
You might as well advise them to shoot for one of the 400 spots in the NBA. But back to it, perhaps the flaunted lack of academic progress is meant to promote the fun side of failing. All of which might suggest that, while "Monsters University"  doesn't prove very funny to either us or our own little monsters, its founders had a blast flunking this review. 
 
'Monsters University,' rated G, is a Walt Disney Studios Motion Pictures release directed by Dan Scanlon and stars the voices of Billy Crystal, John Goodman and Steve Buscemi. Running time: 104 minutes

 

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Sheffield Craftsman Offering Workshops on Windsor Chairs

By Breanna SteeleiBerkshires Staff

Andrew Jack uses hand tools in his wood working shop. 

SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.

Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.

He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.

"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.

"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."

Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.

"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."

Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.

"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."

Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving. 

Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.

"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."

He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.

"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."

People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.

"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.

"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."

His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.

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