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Crane employs some 270 workers in North Adams creating high-quality print products for brands such as Tiffany.

Crane Stationery Plant Sharply Reducing Operation

By Tammy DanielsiBerkshires Staff
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Editor's note: a communication from Mohawk Papers puts the number of jobs at 229. We have also changed to the headline to acknowledge some people will be working.past May. 

NORTH ADAMS, Mass. — The iconic 220-year-old Crane Stationery company will fold, the victim of an emerging digital culture and the COVID-19 pandemic. 

Employees were notified by email on Wednesday that their last day would be June 19. Chief Operations Officer Dean Daigle wrote that the brand had been buffeted by a weakened invitations market and the January bankruptcy filing of its biggest customer, Papyrus.
 
"Now, the unprecedented COVID-19 pandemic, and the unanticipated and dramatic restrictions in gatherings, travel, and business operations on a local, national, and international level, have in turn caused enormous losses to Crane's business.  These losses could not be foreseen. Unfortunately, they have also proved to be unsustainable," he wrote. 
 
"Crane is a 220-year-old iconic brand. However, in the face of these unforeseeable circumstances, we have had to make the very difficult decision to wind down operations at Crane."
 
The company said it will continue to pay employees through June 19 and will continue to cover the share of group health insurance benefits through until June 30. Crane employs about 270 people. 
 
Mayor Thomas Bernard said he was apprised of the closure by an employee. He has reached out to the plant's owners as well as the Berkshire delegation to see if the company is certain of its plans. 
 
"I have reached out to them to let them know first and foremost that I'm concerned for their workforce, for our folks, our friends, our neighbors, our family members who work for Crane who just got hit with incredibly difficult news at an incredibly difficult time," he said.
 
Just a year ago, owner Mohawk Fine Papers was touting its commitment to invest $3 million to $4 million into the facility in the Robert Hardman Industrial Park on Curran Highway. The objective, said company officials was to build on the luxury brand while catering to contemporary needs. 
 
"We're going to double our size, there's no doubt in our mind that we can do that," Bart Robinson, chief revenue officer, had said at the time. 
 
The company is in the midst of launching Crane Next, a rebranding that was to include bringing back the "& Co." a new website and expanded capabilities. 
 
"I've got a call into management to understand what's behind this decision," he said. "How final is it? Is there anything that the city can do? Is there anything that we can do to bring state and local, whether it's workforce or economic development support to keep these jobs, to keep these people working?" 
 
Crane is one of the larger employers for full-time workers in the city. Bernard said he has already reached out to the governor's office and 1Berkshire to see if there was anything that could be mobilized to keep Crane operating. 
 
The facility shutdown in mid-March as Gov. Charlie Baker began ordering non-essential workplaces to close and setting guidelines for social distancing. Bernard said he learned about Crane's March closure after it happened and had asked to be kept informed about its plans and if there was anything the city could do. 
 
"The Crane brand is a mark of quality everywhere," he said. "It's one of these North Adams stories that's so impressive, but also goes a little bit too far unsung, it's something that's made in North Adams that has a global reputation."
 
Mohawk Fine Papers, a Cohoes, N.Y., family firm founded in 1931, bought Crane in 2018 after a short period during which it was employee owned. Crane & Co. was established in 1801 by the Crane family in Dalton and, by the late 1800s, became the only supplier of currency paper to the United States mint. The firm has undergone a number of changes with several arms being acquired or spun off into separate entities. 
 
Crane has had a presence in North Adams since 1970, when it acquired the Excelsior companies and moved Excelsior Process & Engraving to the Robert Hardman Industrial Park in 1985. It nearly closed the plant in 2009 to move closer to Dalton but was persuaded to stay by the administration at the time. It was highlighted by then Gov. Deval Patrick as a example of advanced manufacturing in the state in 2013.
 
None of that was enough, apparently, to keep Crane in operation. 
 
"Many people have given their career to this company and helped it survive through different economies, management teams and philosophies. Crane has been considered in high regard for many decades due to the artisanship that you and your predecessors have accomplished. We thank you for your hard work and commitment," Daigle wrote.
 
Updated with comments by Mayor Thomas Bernard.

Tags: closure,   Crane & Co.,   

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Why the Massachusetts Art Community Is Worth Continued Investment

By James BirgeGuest Column
How do we quantify the value of art on society and culture? Even eye-popping figures, like the $100 million estimate for the jewels stolen from the Louvre, or the record auction last fall that saw a piece by Gustav Klimt sell for more than $236 million can't fully account for the value of the history, stories, and emotions behind the creations themselves. But beyond that, there is a measurable financial, cultural and social benefit of the arts that is often taken for granted. 

Closer to home, arts and cultural production in the Commonwealth of Massachusetts totals nearly $30 billion annually, representing more than 4 percent of the state's economic output, according to the Mass Cultural Council. All told, more than 130,000 jobs are spread across the commonwealth creating a vibrant and thriving artistic community for us all to enjoy. 

Despite the obvious impact, these figures are under threat. A recent survey by MassCreative compiled recent federal cuts to the National Endowment for the Arts, the National Endowment for the Humanities and the Institute of Museum and Library Services and identified 63 grants canceled and $4.2 million in grant funding rescinded across New England so far this year. 

The dollars, of course, are important. But they also only scratch the surface on what they bring to the community. Today, we risk losing part of the culture and identity many now take for granted. 

While others choose to look past these less tangible, but just as vital benefits, we're doing the opposite. Massachusetts College of Liberal Arts is all in to ensure the next generation retains their access to works of art, while also being empowered to create themselves. 

Last fall, MCLA officially broke ground on the new Campagna Kleefeld Center for Creativity in the Arts, which will serve as a new hub for the campus and the local community for arts programming. When complete in fall of 2027, our students will benefit, but so will all of Berkshire County and artists in the surrounding area. 

This exciting new facility is just one of the many forthcomings our region can enjoy in the coming years. Just a few miles away, anticipation builds for the Fall 2027 anticipated opening for the Williams College Museum of Art. Years in the making, the museum likewise grows from an enduring commitment to the arts, both in curriculum and in practice. Exciting times are also underway for the Clark Art Institute with the construction of a new facility to house a collection of 331 works of art, including paintings, sculptures, drawings and other works. Their wing is scheduled for completion in 2028. And listeners will no doubt enjoy the sounds and melodies from Mass MoCA Records, the latest endeavor to foster creativity and artistic pursuits through music launched in October as well. Of course, many are also awaiting the reopening of the Berkshire Museum anticipated this summer, after a tremendous renovation process to rejuvenate the experience for visitors. 

So much time, energy, and yes, dollars, have already been invested in taking these facilities from ideas and sketches and making them reality. But they represent much more than new buildings. They represent new opportunities to cultivate and accelerate the thriving arts community in Massachusetts and the northern Berkshires. 

Art, regardless of the medium, is a reflection of who we are, where we've been, and what we aspire to be. It can be inspired by hopes or fears and chronicle collective triumphs as well as tribulations. The goal of art is not only to document history, but to inspire those positioned to change it and to feel something new or even to provoke us to revisit our own assumptions or misconceptions. 

As unfathomable of a number as $30 billion can seem, boiling down the impact to any number inherently discounts the unknowable downstream effects our graduates will bring to the community and the broader world after they leave our institutions. Likewise, rescinding $4.2 million now removes a huge chunk of that growth potential.  

Justification for making these investments today when simply boiled down to dollars and cents still places us on solid ground strictly from a financial perspective that forgoes all of the intangible, but no less valuable, benefits as well.  

The arts are still worth our support. And our community will be richer for it. 

James Birge, PhD, is president of Massachusetts College of Liberal Arts in North Adams.  

 

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