MCLA Receives Grant from National Endowment for the Arts

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NORTH ADAMS, Mass. — MCLA's Berkshire Cultural Resource Center (BCRC) has been approved for a $20,000 Grants for Arts Projects award to support the MCLA Institute for the Dismantling of Racism. 
 
This project will educate and support staff members of historically White art institutions in creating and implementing an anti-racist agenda within the arts, one person at a time. BCRC's project is among the more than 1,100 projects across America, totaling nearly $27 million, that were selected during this second round of Grants for Arts Projects fiscal year 2021 funding. 
 
"As the country and the arts sector begin to imagine returning to a post-pandemic world, the National Endowment for the Arts (NEA) is proud to announce funding that will help arts organizations such as the Berkshire Cultural Resource Center reengage fully with partners and audiences," said NEA Acting Chairman Ann Eilers. "Although the arts have sustained many during the pandemic, the chance to gather with one another and share arts experiences is its own necessity and pleasure." 
 
Upon receiving the grant, BCRC Executive Director Erica Wall said, "We are thrilled to have received this NEA grant. It validates and advances our work and our commitment to dismantling racism within and through the arts." 
 
Next summer, four people from the Black, Indigenous, and People of Color (BIPOC) art community will be invited to stay in residence at MCLA to develop and lead sessions on the history of racial inequality and representation within the arts community and how to dismantle it. 
 
Each year's program will be themed around a specific topic that centers how to break down systemic racism within and through the arts. Utilizing work from educators, artists, and DEI professionals, the workshops will be facilitated by the Institute's resident cohort. A call for applications will go out to historically White art institutions inviting their staff members to participate, learn, and practice how to model and promote anti-racist behavior in their daily and professional lives. 
 
The Institute will culminate in an exhibition of work by the selected resident artists at MCLA's Gallery 51, and a public presentation of the work by the Institute's cohort and its attendees will be shared with the Berkshire County community, and be archived and made accessible to the community at large. 
 
 
For more information on the projects included in the Arts Endowment grant announcement, visit arts.gov/news
 

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North Adams' Original Urban Beach Returns

NORTH ADAMS, Mass. — For one afternoon each summer, historic Eagle Street is transformed into a giant sandy beach in the heart of downtown North Adams.
 
That happens this Thursday, July 16, from 4 to 8 p.m.
 
Created in 1999 by artist Eric Rudd, the Eagle Street Beach has become one of North Adams' most beloved summer traditions. Children and adults alike are invited to dig, build sandcastles, play beach games, relax in the sand, and enjoy an unforgettable afternoon on 500,000 pounds of sand spread curb-to-curb along the entire length of Eagle Street.
 
"I've always believed that the best public sculpture is one that people don't just look at — they experience," said Rudd.
 
Presented by the Barbara and Eric Rudd Art Foundation in partnership with the City of North Adams, the Eagle Street Beach is much more than a festival. Conceived as an urban beach sculpture, the artwork is not complete until thousands of children, families, and visitors become active participants rather than simply spectators. For one afternoon, an ordinary city street is transformed into a place of imagination, play, and community.
 
Children ages 12 and under can enjoy free giveaways while supplies last, including: Sand pails and shovels, Jack's Hot Dog gift certificates, North Adams SteepleCats tickets and additional surprises donated by local businesses.
 
While artificial beaches had appeared elsewhere in a variety of settings, the Eagle Street Beach is believed to have been among the first — and possibly the first — block-long downtown street ever transformed into an urban beach as a community sculpture. Several years later, similar urban beach projects, including the internationally known Paris Plages, began appearing in major cities around the world.
 
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