Berkshire Choral Festival, 2002

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This is year 21 of the Berkshire Choral Festival. It was conceived and started in the early 1980s, a time bursting with new musical organizations around the Berkshires. Along with the Choral Festival, which has taken off in a big way, there is the Berkshire Opera, barely a few years younger, but not quite as fortunate, and also the Hawthorne Quartet, composed of Boston Symphony musicians and now part of Music Works. Securely anchored at Sheffield’s Berkshire School, performances take place in the Rovensky Concert Shed — alias the sports arena — which is assuming more acoustical and visual parameters with the ongoing years. The Festival is an outlet for enjoyment through song and appreciation of the great European and American choral literature. Annually over 1600 amateur choristers, many of them multiple repeaters, come together to study and perform outstanding choral literature under famous conductors and alongside outstanding vocal soloists. There are five working days, topped by the Saturday night performance. Since Trudy Weaver Miller, long-time associate of the Festival and a professional singer herself, has assumed the managing directorship, a new facet known as PREP, (performance - related educational presentations) has been added. Each week a prominent musicologist gives enlightening talks on the performance of the evening. For the opening two weeks Steven Ledbetter, recent Boston Symphony programs annotator, explored the subject of “Fate and Fortune,” apropos Mozart’s idomeneo, Britten’s Peter Grimes and Orff’s Carmina Burana. Other outstanding lecturers will be Scott Burnham of Princeton University, regarding “Haydn’s Golden Age;” Christopher Gibbs, University at Buffalo: speaking on “Verdi’s Final Miracle, the Four Sacred Pieces” and Daniel Beller-McKenna, University of New Hampshire, probing “To be Human, to be German” in connection with Brahms’ ”Ein Deutsches Requiem.” According to Trudy’s survey the addition is gaining in popularity. A backward look shows that in the early years all works performed were serious masterpieces by their composers, if not of religious nature. In time the Festival ran out of suitable material and had to decide between two options, either to repeat masses or to include more secular works, as a “Evening at the Opera,” the opening feature this season, and Carmina Burana, the highlight of week two. Scenes from Mozart and the Great Italian Operas followed the pattern of other opera evenings. A new idea of highlighting excerpts from Benjamin Britten’s great sea tragedy, “Peter Grimes”, was not quite as successful, because the chosen selections, taken out of context, were not as familiar as, take the “Anvil Chorus”, from Trovatore, for example, which needs no embroidery to stand and be appreciated on its own. Choices are for a good part based on the amount of choral activity contained in a work, never on the measure of difficulty a chorister might encounter. To forestall any problems each singer is supplied with a study tape and expected to know his or her part prior to arrival for the week in Sheffield. The final thrill for the performers comes with the addition of the Springfield Orchestra, faithful accompanying body of the Festival since day one, which arrives on Friday of each week. The strength of an organization derives from continuous, perceptive leadership, which was supplied for the first decade by Executive Director, Mary H. Smith, a former administrator at Tanglewood and at the Juilliard School of Music. Together with the then Dean of Music, Charles Dodsley Walker, she built the annual performances to the point where a week in Canterbury, England, and a presentation at the venerable Cathedral became a reality. Having been there to witness the momentous occasion and to hear the Brahms Requiem there, it was not only glorious, it was the beginning of other foreign performances. The Berkshire Choral Festival now spends a week in Austria, along with a week in England and one in Santa Fe, N.M. Each year the Festival pays tribute to Mary’s work by dedicating a concert to her. She was so honored with this season’s first offering.
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Teacher of the Month: Kaylea Nocher

By Sabrina DammsiBerkshires Staff

NORTH ADAMS, Mass. — First-grade students in Kaylea Nocher's class feel secure and empowered in the classroom, confidently embracing mistakes as they take charge of their learning.
 
This safe and fun atmosphere has earned Nocher the iBerkshires Teacher of the Month designation. The Teacher of the Month series, in collaboration with Berkshire Community College, features distinguished teachers nominated by community members. You can nominate a teacher here
 
Nearly a dozen parents and colleagues nominated the Brayton Elementary School teacher, praising her dedication, connection to students, and engaging classroom environment — going above and beyond to foster growth in her students.
 
"My students are the most important part of the job, and instilling love and a love for learning with them is so valuable," she said. 
 
"We have these little minds that we get to mold in a safe and loving environment, and it's really special to be able to do that with them."
 
Nocher has built her classroom on the foundation of love, describing it as the umbrella for all learning. 
 
"If you have your students feel loved… in the sense that they have a love for learning, they have a love for taking risks, they have a love for themselves, and they can use that in everything that they do," she said. 
 
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