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Award-winning artist Julie Bell's fantasy animals and realistic works are on view at the Berkshire Museum through September.

Berkshire Museum Opens 'The Wild Indoors' Exhibit

By Sabrina DammsiBerkshires Staff
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The pieces are displayed with some of the museum's collection of taxidermy animals. 
PITTSFIELD, Mass. — The Berkshire Museum has opened its newest exhibit, "The Wild Indoors," by award-winning artist Julie Bell. 
 
The exhibit runs through Sept. 29 and combines some of the museum's collection of taxidermy animals with Bell's fantasy art and realistic painting of the wild animals from across the united states. 
 
This is Bell's first solo museum exhibition for wildlife or fantasies. She uses oil painting to bring to life wildlife including a lion, wolves, bears, cows, bisons, a dog, and more. 
 
"It's the first solo show I've had in a museum. And I'm just really, really, very excited about this. I just appreciate it so much that you're there," Bell said. 
 
"I'm just very honored for this to be taking place. These paintings mean a lot to me. It's my personal work and and I'm just really, really so appreciative for you to come out and see it and for it to be in this beautiful museum."
 
The diverse pieces of work on view makes the viewing experience fun and interesting, Berkshire Museum's chief curator Jesse Kowalski said. 
 
"A lot of people gravitate towards different ones … it's a fun show. It's really beautiful artwork. And I think there's just something for everyone here," he said. 
 
A lot of people are attracted to the dog painting named "Big Oscar," which is of a neighborhood dog that would go from house to house when Bell was younger, Kowalski said.
 
She has always had a fascination about animals and spends a lot of time around wildlife. Animals also often appear in some of her fantasy work, such as a zebra in her fantasy painting "Behind the Veil," which won a Silver Spectrum Award in 2016. 
 
"She just loves animals. She just feels a real connection to them and for her a lot of the fantasy artwork, she talks a lot about dreams and the subconscious and her fantasy art is really a way of kind of bringing that to life," Kowalski said.
 
"She mentioned specifically the zebra painting, about when she was a child she would have a lot of nightmares about zebras chasing her and things, so [that] came out of that, these childhood dreams."
 
Bell has an eclectic background being commissioned to create advertising illustrations for well-known companies including Nike, Coca-Cola and The Ford Motor Company, her website says. 
 
She has also worked with major publishing houses in New York City to paint book covers and created album covers for artists such as Meat Loaf.
 
"She was the first woman ever paint Conan for Marvel Comics, which paved the way for many other commissions from Marvel, DC, and Image Comics to illustrate superheroes in fully rendered paintings," her website says. 
 
"Her first published cover for Heavy Metal magazine broke ground for other illustrators with the introduction of her now legendary Metal Flesh. Her hyper-realistic style is known for its sexy, powerful images of warriors and amazons and a sensitive, exquisite use of color and texture."
 
Bell usually works one piece at a time and they can take two to three weeks to complete, Kowalski said. 
 
She's lived in a dozen different locations and attended six colleges and universities to continue her artistic passion, focusing on the human figure and life drawings, Bell said. 
 
She took up weight training because of this love of the human body and became a nationally ranked competitive bodybuilder. 
 
It was this path that led her to meet her husband, Boris Vallejo. Vallejo is an award-winning science fiction, fantasy, and erotica genre Peruvian-American painter. She modeled for some of his pieces and they bonded over their shared love of art. They married in 1994 and live and work in Pennsylvania. 

Tags: animals,   Berkshire Museum,   exhibit,   

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Letter: Real Issue in Hinsdale Is Leadership Failure

Letter to the Editor

To the Editor:

The Hinsdale Select Board recently claimed they are "flabbergasted" by the Dalton Police Department's decision to suspend mutual aid. This public display of confusion is staggering. It reveals a severe lack of leadership and a deep disconnect from the established facts.

Dalton did not make a rash or emotional choice. They made a strict, calculated decision to protect their own officers. Dalton leadership clearly stated their reasons. They cited deep concerns about officer safety, trust, training consistency, and post-incident accountability. These are massive red flags for any law enforcement agency.

These concerns stem directly from the fatal shooting of Biagio Kauvil. During this tragic event, Hinsdale command staff failed to follow their own policies. We saw poor judgment, tactical errors, and clear supervisory failures. When a police department breaks its own rules, it places both the public and responding officers at strict risk. No responsible outside agency will subject its own team to a command structure that lacks basic operational competence.

For elected officials to look at a preventable tragedy, clear policy violations, and the swift withdrawal of a neighboring agency, yet still claim confusion, shows willful blindness. If the Select Board cannot recognize the obvious institutional failures staring them in the face, they disqualify themselves from providing meaningful oversight.

We cannot accept leaders who dismiss documented failures and deflect blame. We must demand true accountability. The real problem is not that Dalton withdrew its support. The real problem is a Hinsdale leadership team that refuses to face its own failures.

Scott McGowan
Williamstown Mass.

 

 

 

 

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