Triplex Screening of 'Dory Previn: ON My Way Where'

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GREAT BARRINGTON, Mass. — The Triplex Cinema announced a special screening on Saturday, Aug. 17, of "Dory Previn: On My Way to Where," which celebrates the life of the late Berkshires singer/songwriter, followed by a talkback with co-director Julia Greenberg, and animator Emily Hubley.
 
The film, which recently premiered at the SXSW Film and TV Festival, uses archival footage together with animation to illustrate the complicated and creative life and work of Dory Previn. Tickets are available at the Triplex website. The screening takes place on Aug. 17 at 4 pm.
 
According to a press release:
 
Born in New Jersey in 1923, Previn began a career as a chorus-line dancer as a teenager. In the late 1950's she was discovered famed MGM film producer Arthur Freed, and began working as a lyricist at the Studio, where she was teamed up with wunderkind composer Andre Previn. Soon after she recorded her first jazz album "The Leprechauns Are Upon Me," for Verve Records. Teaming up with Previn, whom she married, they wrote two Oscar nominated songs, "The Faraway Part of Town," sung by Judy Garland in the film "Pepe," and "A Second Chance" for the film "Two for the Seesaw," in 1962. As a duo, the Previn's wrote songs for many of the leading artists of the 1960's including Rosemary Clooney, Vic Damone, Bobby Darin, Sammy Davis, Jr. Leontyne Price, Tony Bennett, among many others. 
 
In 1967 the Previn's music for the hit film "Valley of the Dolls," helped the soundtrack album spend six months on the Billboard charts, and in 1968, writing on her own, Previn had a third Oscar nomination for "Come Saturday Morning" from the Liza Minelli starring film "The Sterile Cuckoo." 
 
Following her breakup with Previn over an affair with actress Mia Farrow, Previn embarked on a solo singer-songwriting career and she released seven critically acclaimed albums in the 1970's including "On My Way to Where," " Mythical Kings and Iguanas" and "Reflections in a Mud Puddle," all in the early 1970's. Throughout the 1970's Previn continued to record music as well as perform publicly, write screenplays and also published two autobiographies. Performing at the same time as her peers Joni Mitchell, Carole King and Laura Nero, Previn did not have the same widespread popularity, because her work dealt brutally honestly with dark and difficult themes which were not accessible to pop radio audiences. Despite this, Previn developed a cult following, in part because of her willingness to write and sing openly about her struggles with mental illness. "On My Way to Where," makes the case that Previn "anticipated a modern-day neurodiversity movement." 
 
In the 1980's Previn's work turned political and working for television, she won an Emmy Award in 1984 for "We'll Win this World," and an Emmy nomination for "Home Here." Continuing to work in a number of areas, including the publication of stage work, short stories, lecture on lyric writing Previn oversaw, in 1995, the publication of "The Dory Previn Songbook." In 1997 she again collaborated with Andre Previn to produce a piece for soprano and ensemble entitled "The Magic Number." The piece was performed by the New York Philharmonic with Andre Previn conducing and Sylvia McNair performing the Soprano part. 
 
Previn left Los Angeles in the early 1980's, and with her husband, actor and artist Toby Baker, moved to the Southfield, Massachusetts in the Berkshires, where she continued to work and was an active part of the creative community until she died on Valentine's Day in 2012.
 
Considered one of the great American songwriters of her time, Previn's life and work has been lived in the shadow of her famous ex-husband Andre Previn. "Dory Previn: On My Way to Where," looks to put Previn's life and work back to the place it rightly belongs, and tell the story of a pioneering woman and artist ahead of her time who  wrote frankly and courageously about her sexuality, women's issues, and her own well-documented mental health issues. "On My Way to Where," is a magical story of perseverance, creativity and love.
 
Julia Greenberg is a singer, songwriter and now documentarian. Greenberg has written the music for off-Broadway hits "People Are Wrong" and "Cavedweller" and has released two albums of original music . Greenberg interprets the music, and is curating the archives of Dory Previn, driver to share the magic of this under-known genius with the world. 
 
Emily Hulbey is a well-known animator whose work has been featured in the documentary "Blue Vinyl" and the film "Hedwig and the Angry Inch," among many other films. Her first feature film, "The Toe Tactic," premiered at the Museum of Modern Art in 2009 and was released on DVD by Kino International. 
 
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Sheffield Craftsman Offering Workshops on Windsor Chairs

By Breanna SteeleiBerkshires Staff

Andrew Jack uses hand tools in his wood working shop. 

SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.

Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.

He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.

"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.

"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."

Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.

"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."

Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.

"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."

Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving. 

Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.

"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."

He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.

"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."

People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.

"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.

"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."

His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.

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