Triplex Screening of 'Dory Previn: ON My Way Where'

Print Story | Email Story
GREAT BARRINGTON, Mass. — The Triplex Cinema announced a special screening on Saturday, Aug. 17, of "Dory Previn: On My Way to Where," which celebrates the life of the late Berkshires singer/songwriter, followed by a talkback with co-director Julia Greenberg, and animator Emily Hubley.
 
The film, which recently premiered at the SXSW Film and TV Festival, uses archival footage together with animation to illustrate the complicated and creative life and work of Dory Previn. Tickets are available at the Triplex website. The screening takes place on Aug. 17 at 4 pm.
 
According to a press release:
 
Born in New Jersey in 1923, Previn began a career as a chorus-line dancer as a teenager. In the late 1950's she was discovered famed MGM film producer Arthur Freed, and began working as a lyricist at the Studio, where she was teamed up with wunderkind composer Andre Previn. Soon after she recorded her first jazz album "The Leprechauns Are Upon Me," for Verve Records. Teaming up with Previn, whom she married, they wrote two Oscar nominated songs, "The Faraway Part of Town," sung by Judy Garland in the film "Pepe," and "A Second Chance" for the film "Two for the Seesaw," in 1962. As a duo, the Previn's wrote songs for many of the leading artists of the 1960's including Rosemary Clooney, Vic Damone, Bobby Darin, Sammy Davis, Jr. Leontyne Price, Tony Bennett, among many others. 
 
In 1967 the Previn's music for the hit film "Valley of the Dolls," helped the soundtrack album spend six months on the Billboard charts, and in 1968, writing on her own, Previn had a third Oscar nomination for "Come Saturday Morning" from the Liza Minelli starring film "The Sterile Cuckoo." 
 
Following her breakup with Previn over an affair with actress Mia Farrow, Previn embarked on a solo singer-songwriting career and she released seven critically acclaimed albums in the 1970's including "On My Way to Where," " Mythical Kings and Iguanas" and "Reflections in a Mud Puddle," all in the early 1970's. Throughout the 1970's Previn continued to record music as well as perform publicly, write screenplays and also published two autobiographies. Performing at the same time as her peers Joni Mitchell, Carole King and Laura Nero, Previn did not have the same widespread popularity, because her work dealt brutally honestly with dark and difficult themes which were not accessible to pop radio audiences. Despite this, Previn developed a cult following, in part because of her willingness to write and sing openly about her struggles with mental illness. "On My Way to Where," makes the case that Previn "anticipated a modern-day neurodiversity movement." 
 
In the 1980's Previn's work turned political and working for television, she won an Emmy Award in 1984 for "We'll Win this World," and an Emmy nomination for "Home Here." Continuing to work in a number of areas, including the publication of stage work, short stories, lecture on lyric writing Previn oversaw, in 1995, the publication of "The Dory Previn Songbook." In 1997 she again collaborated with Andre Previn to produce a piece for soprano and ensemble entitled "The Magic Number." The piece was performed by the New York Philharmonic with Andre Previn conducing and Sylvia McNair performing the Soprano part. 
 
Previn left Los Angeles in the early 1980's, and with her husband, actor and artist Toby Baker, moved to the Southfield, Massachusetts in the Berkshires, where she continued to work and was an active part of the creative community until she died on Valentine's Day in 2012.
 
Considered one of the great American songwriters of her time, Previn's life and work has been lived in the shadow of her famous ex-husband Andre Previn. "Dory Previn: On My Way to Where," looks to put Previn's life and work back to the place it rightly belongs, and tell the story of a pioneering woman and artist ahead of her time who  wrote frankly and courageously about her sexuality, women's issues, and her own well-documented mental health issues. "On My Way to Where," is a magical story of perseverance, creativity and love.
 
Julia Greenberg is a singer, songwriter and now documentarian. Greenberg has written the music for off-Broadway hits "People Are Wrong" and "Cavedweller" and has released two albums of original music . Greenberg interprets the music, and is curating the archives of Dory Previn, driver to share the magic of this under-known genius with the world. 
 
Emily Hulbey is a well-known animator whose work has been featured in the documentary "Blue Vinyl" and the film "Hedwig and the Angry Inch," among many other films. Her first feature film, "The Toe Tactic," premiered at the Museum of Modern Art in 2009 and was released on DVD by Kino International. 
 
If you would like to contribute information on this article, contact us at info@iberkshires.com.

Pryor & Peacock's Whimsical Furniture Environmentally Friendly

By Breanna SteeleiBerkshires Staff
 

The company uses digital printing to create the upholstery fabric, saving water and saving vintage furniture from ending up in landfills.

STOCKBRIDGE, Mass. — A unique furniture store has popped up on Elm Street this month.

Mom-and-daughter store Pryor & Peacock is hosting the pop-up storefront from Aug. 13 to Aug. 25 at 6 Elm. The New Marlborough business is co-founded by Rosalina Wright and Luca Shapiro, who is also the creative director. 

Their online shop was created in 2024 but they wanted people to see the pieces in person, so they're renting the space for a limited time before a long-term tenant moves in.

The store sources prints to create unique fabrics and reimagines vintage and antique furniture acquired at auctions, local shops, and online.

"We source prints from all over the world that date from the late 1600s up through mid-20th century, and Luca turns those prints into fabric by manipulating them, scanning them, oftentimes has to add or subtract things, and then we manufacture the fabric using only digital printing, which is very environmentally friendly, unlike traditional textile printing," Wright said.

Upholstering the furniture can take weeks of work. Shapiro looks for the perfect design for each piece and, if need be, uses Adobe Photoshop to extend the art work to fit or enhance the print.

"One of the most difficult parts comes in marrying the fabric to a piece of furniture because we only use antique and vintage frames also to be earth friendly, and they're also more beautiful and durable than new furniture," Wright said. "So the image has to go with the furniture, so that takes a lot of work."

One of Pryor & Peacock's missions is to be environmentally friendly. Digital printing doesn't use the same amount of water as traditional textile productions do nor does it contaminate water with ink according to their website.

Not only are they saving water, but they are saving furniture from going into the landfill while also using more durable furniture that doesn't break as easily as current pieces. They started their business to create something unique and to help the environment together.

"It's creating something nobody else is doing. People can't continue to buy throwaway furniture. Six percent of American landfills is furniture, and digital printing not only opens up the possibility of being able to put unique images on a piece of furniture, but it also is, as I said, environmentally friendly. So, for us, the excitement is to take an old East Lake settee that somebody's going to store in their barn and forget about, and make it something completely new and surprising," Wright said.

They hope their furniture helps bring a pop of fun to someone's home.

"We think our furniture is very whimsical and surprising, and most furniture today is oatmeal colored couches and gray neutral chairs, and it's boring," she said.

The two named their business after their mothers' maiden names to honor them and believe the name reflects their pieces.

Shapiro works in interior design outside of the business and the two liked working together and thought it would be great to start a business together. Shapiro says they can work well together and that her and her mother, Wright, has flipped houses before and have the same eye for design.

"So it's very easy for us to work together. When we see something, generally we agree on whether it works or doesn't work on a piece. We agree on the color schemes and that sort of thing. So it's very fun and fulfilling to work together," Shapiro said. 

View Full Story

More South Berkshire Stories