NORTH ADAMS, Mass. — The School Committee on Monday heard a report from the consultant hired to evaluate air quality at Brayton Elementary School after mold was found in a classroom this summer.
Craig Gifford of GEM Environmental walked the committee through the key findings in a 22-page report provided to the district.
Except for a couple of hallways in the lower level of the building, GEM found mold spore counts in the air to be below the counts in the ambient air outside the building, Gifford said.
"In the classrooms, to be honest, it was very low," he said.
On a typical day in the summer, Gifford said, outside air in the region might have mold spore counts between 500 and 1,000.
All seven of the rooms tested last month had counts of 107 or lower.
The outliers were the hallways, where, Gifford said, furniture was stored and moved during the testing period and where GEM found mold spore counts of up to 3,107.
He reiterated to the School Committee a point that was made in the written report's conclusion section: "The visual assessment identified no visible mold growth on walls, floor systems and furniture on the day of testing."
"If I saw something on a surface that was visible, I'd do a surface sample," Gifford said in response to a question from a committee member. "What's in the air is what you're going to breathe. … Air testing, to me, gives me more information. Sometimes [mold] can be behind a wall or in a drop ceiling, but it's going to come out in the air."
Monday's special School Committee meeting also included testimony from Matthew Pitoniak of Conserve Thru Control, who explained how his firm monitors and services the heating, ventilation and air-conditioning systems at the city's schools.
Pitoniak said older buildings like Brayton benefit from having HVAC systems that were installed before modern energy efficiency mandates; therefore buildings like Brayton maximize intake of outside air.
"Your air exchange in this building is exceptional," Pitoniak said.
The district's director of facilities talked to the committee about his staff's regular use of disinfectants on surfaces and high-efficiency particulate air filters on vacuum cleaners.
"Everything we use and do helps mitigate any mold we could find," Robert Flaherty told the committee. "I've never found any mold down there in that area."
Superintendent Barbara Malkas told the School Committee that the district had removed and replaced carpeting in classrooms that were found to have mold on equipment and outlined other mitigation efforts.
"When we pulled the carpet up, there was no evidence of mold on top of the carpet or on the back of the carpet," Malkas said. "There was old glue. But it was not mold. It was decomposing glue. The carpet was replaced after sanding [the floor] down.
"We added several new dehumidifiers to the area. We have repainted and looked to maintain a clean environment, which is something the maintenance staff does anyway. We went through materials to look for any products that could potentially have mold."
Malkas said the district also requested an inspection from the commonwealth's Department of Public Health and is waiting for a report to be published.
"I was told by [DPH official] Michael Feeney that the only items he found mold on were two old guitar cases in a storage closet and nothing else," Malkas said.
Malkas thanked Mayor Jennifer Macksey, also the chair of the School Committee, for rolling up her sleeves and helping with the carpet removal. Malkas also alluded to the widespread discussion in social media in the wake of reports of mold at Brayton and said she hopes the district can move forward.
"I'm hoping this [meeting] will reassure our school community that we take these issues seriously and do, in fact, address them," Malkas said. "When I was quoted on Aug. 22 saying there were no visible signs of mold present, that was a truth.
"We have taken this seriously. The inspection report we'll receive from the DPH director of indoor air quality will also be available publicly. It demonstrates Brayton is a safe school and it has been cared for."
Only one member of the public addressed the committee during Monday's meeting. Miguel Rodriguez told the panel he appreciates the hard work that has been done to make Brayton safe but he was concerned about how the mold issue was communicated to parents initially.
"I don't know why I got the email so late," Rodriguez said. "I don't know if it's because the superintendent's office found out about it late and we learned about it at the same time."
Rodriguez said he was concerned that the email was sent to parents less than 48 hours before the start of the school year.
Macksey responded for the committee.
"I apologize if you think that was short notice, but we feel we pushed the information out as fast as possible," Macksey said. "Internally, we never thought there was a danger of people being in the building."
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Why the Massachusetts Art Community Is Worth Continued Investment
By James BirgeGuest Column
How do we quantify the value of art on society and culture? Even eye-popping figures, like the $100 million estimate for the jewels stolen from the Louvre, or the record auction last fall that saw a piece by Gustav Klimt sell for more than $236 million can't fully account for the value of the history, stories, and emotions behind the creations themselves. But beyond that, there is a measurable financial, cultural and social benefit of the arts that is often taken for granted.
Despite the obvious impact, these figures are under threat. A recent survey by MassCreative compiled recent federal cuts to the National Endowment for the Arts, the National Endowment for the Humanities and the Institute of Museum and Library Services and identified 63 grants canceled and $4.2 million in grant funding rescinded across New England so far this year.
The dollars, of course, are important. But they also only scratch the surface on what they bring to the community. Today, we risk losing part of the culture and identity many now take for granted.
While others choose to look past these less tangible, but just as vital benefits, we're doing the opposite. Massachusetts College of Liberal Arts is all in to ensure the next generation retains their access to works of art, while also being empowered to create themselves.
Last fall, MCLA officially broke ground on the new Campagna Kleefeld Center for Creativity in the Arts, which will serve as a new hub for the campus and the local community for arts programming. When complete in fall of 2027, our students will benefit, but so will all of Berkshire County and artists in the surrounding area.
This exciting new facility is just one of the many forthcomings our region can enjoy in the coming years. Just a few miles away, anticipation builds for the Fall 2027 anticipated opening for the Williams College Museum of Art. Years in the making, the museum likewise grows from an enduring commitment to the arts, both in curriculum and in practice. Exciting times are also underway for the Clark Art Institute with the construction of a new facility to house a collection of 331 works of art, including paintings, sculptures, drawings and other works. Their wing is scheduled for completion in 2028. And listeners will no doubt enjoy the sounds and melodies from Mass MoCA Records, the latest endeavor to foster creativity and artistic pursuits through music launched in October as well. Of course, many are also awaiting the reopening of the Berkshire Museum anticipated this summer, after a tremendous renovation process to rejuvenate the experience for visitors.
So much time, energy, and yes, dollars, have already been invested in taking these facilities from ideas and sketches and making them reality. But they represent much more than new buildings. They represent new opportunities to cultivate and accelerate the thriving arts community in Massachusetts and the northern Berkshires.
Art, regardless of the medium, is a reflection of who we are, where we've been, and what we aspire to be. It can be inspired by hopes or fears and chronicle collective triumphs as well as tribulations. The goal of art is not only to document history, but to inspire those positioned to change it and to feel something new or even to provoke us to revisit our own assumptions or misconceptions.
As unfathomable of a number as $30 billion can seem, boiling down the impact to any number inherently discounts the unknowable downstream effects our graduates will bring to the community and the broader world after they leave our institutions. Likewise, rescinding $4.2 million now removes a huge chunk of that growth potential.
Justification for making these investments today when simply boiled down to dollars and cents still places us on solid ground strictly from a financial perspective that forgoes all of the intangible, but no less valuable, benefits as well.
The arts are still worth our support. And our community will be richer for it.
James Birge, PhD, is president of Massachusetts College of Liberal Arts in North Adams.
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