Clark Art Screens 'The Magnificent Ambersons'

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WILLIAMSTOWN, Mass. — On Thursday, March 6, the Clark Art Institute kicks off its new Small Town film series with a screening of "The Magnificent Ambersons" (1942) at 6 pm in the Manton Research Center.
 
According to a press release:
 
Spanning the turn of the nineteenth century into the twentieth, Orson Welles' "The Magnificent Ambersons" follows the declining fortunes of a wealthy family through its spoiled young heir George (Tim Holt). This twisting family saga is propelled by nostalgia, jealousy, and disappointed hopes. As the Ambersons fall, the small town they were once the talk of begins to change too, absorbing the shifts of the new century. Adapted from Booth Tarkington's 1918 Pulitzer Prize-winning novel of the same name, this was only Welles' second feature film. (Run time: 1 hour, 28 minutes)
 
Free. Accessible seats available; for information, call 413 458 0524. 

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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