State Senate to Commission Bust of Elizabeth Freeman

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A bronze sculpture of Elizabeth Freeman in Sheffield.
BOSTON — A bust of Berkshires' freedom fighter Elizabeth Freeman, the first enslaved woman to successfully sue for her freedom in the United States, will be commissioned and placed in the state Senate Chamber. 
 
The Senate will also commission a bust of women's rights leader and presidential adviser Abigail Adams.
 
They will be the first permanent busts depicting women in the State House, and the first in the Senate Chamber's collection of sculptures.
 
"The story and spirit of the Berkshires' own Elizabeth Freeman serves as a testament to the promise of equality and freedom that our commonwealth was founded upon," said state Sen. Paul Mark in a statement. "I am so grateful to my Senate colleagues who voted to memorialize this amazing woman with a bust in the Senate Chamber, bringing further equality, inspiration, and representation to our historic State House building."
 
State Sen. Julian Cyr, chair of the Senate Art Commission, said the selection of the two women "marks an important step in our ongoing work to recognize the women and individuals who have shaped Massachusetts but have too often been
overlooked in our history books."
 
Freeman, also known as Mum Bett, was born into slavery around 1744. Attorney Theodore Sedgwick of Sheffield represented Freeman in her fight for freedom in 1781 in one of the most important legal cases in Massachusetts history: It helped establish that slavery was incompatible with the state's founding principles.
 
Freeman and a man named Brom sued for their freedom under the new state Constitution from the man who enslaved them, John Ashley, who was also ordered to pay them damages. 
 
A full-size bronze of Freeman was installed in 2022 in front of the Old Parish Church at 125 Main St. in Sheffield.
 
After gaining her freedom, Freeman became a respected healer and midwife, later securing her place in history as a trailblazer for civil rights. She died in 1829 and is buried in the Sedgwick family plot in Stockbridge. 
 
Abigail Adams, known for urging the Founding Fathers to "remember the ladies," was an early advocate for women's rights and education. As a trusted adviser to her husband, President John Adams, she managed their household and finances while influencing political discourse through her letters.
 
Adams and Freeman were the top two choices of the Senate, where members selected them from four finalists chosen by the Senate Art Committee out of a pool of more than 300 nominations submitted by Massachusetts residents. Committee members selected the finalists following a series of public meetings.
 
The Art Committee will now select an artist to create the sculptures. Freeman's will be only the third piece of art in the Senate honoring a woman leader, joining portraits of Abigail Adams and former Senate President Therese Murray, and the 22nd permanent piece of art honoring a woman in the State House.
 
The contributions of women have "too long" been absent in State House art, said Senate President Karen Spilka. "Their presence will help us send a clear message to every woman who walks our halls: you belong here. I am deeply grateful to Senator Cyr for his leadership, and to the Senate Art Committee members for lending their expertise to a Senate that strives for better representation."
 
 
 
 
 

Tags: elizabeth freeman,   historical figure,   sculpture,   State House,   

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Sheffield Craftsman Offering Workshops on Windsor Chairs

By Breanna SteeleiBerkshires Staff

Andrew Jack uses hand tools in his wood working shop. 

SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.

Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.

He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.

"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.

"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."

Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.

"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."

Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.

"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."

Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving. 

Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.

"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."

He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.

"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."

People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.

"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.

"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."

His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.

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