WCMA to Hold Community Forum on New Museum Building's Sustainability Goals

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WILLIAMSTOWN, Mass. — The Williams College Museum of Art (WCMA) will host a community forum regarding its new museum building project on Monday, April 28, at 6:00 p.m. 
 
The event will be held at the Williams Inn Ballroom.
 
The forum will focus on the sustainability objectives of the new building, featuring presentations on the Williams College Sustainable Project Policy and the planned sustainable design features of the new WCMA. These features include the aim to meet the Living Building Challenge of the International Living Future Institute (ILFI) and the use of mass timber for the building's structural components.
 
The event will also provide general updates on the ongoing construction project and include a question-and-answer session for the audience.
 
The new Williams College Museum of Art is intended to serve Williams College, the local community, and visitors to the Berkshires. The design of the new museum is reportedly student-focused, aiming to create a sense of belonging for campus members and the wider community, and an inclusive experience for all visitors. The building will offer increased gallery space for displaying more of the museum’s 15,000-piece collection, as well as facilities for improved access to collections for student, faculty, and visiting scholar requests, and additional object study classrooms.
 
Those interested in attending are encouraged to RSVP at https://forms.office.com/e/qA3KnFizyp.
 
Further information can be found at artmuseum.williams.edu.
 
 

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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