Clark Art Institute to Air Met Opera's 'Il Barbiere di Siviglia'

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WILLIAMSTOWN, Mass. — The Clark Art Institute will present a broadcast of the Metropolitan Opera's production of "Il Barbiere di Siviglia" on Saturday, May 31, at 1 p.m. 
 
This screening is the final installment of the 2024–25 season of The Met: Live in HD and will be shown in the auditorium within the Manton Research Center.
 
The broadcast will include the complete performance along with backstage interviews and commentary. Rossini's opera features a cast led by Russian mezzo-soprano Aigul Akhmetshina as Rosina and American tenor Jack Swanson as Count Almaviva. Moldovan baritone Andrey Zhilikhovsky will portray Figaro, the barber of Seville, with Hungarian bass-baritone Peter Kálmán as Dr. Bartolo and Russian bass Alexander Vinogradov as Don Basilio. Giacomo Sagripanti will conduct Bartlett Sher's production.
 
Tickets are priced at $25 ($22 for members, $18 for students, and $5 for children 15 and under). Advance registration is encouraged due to limited seating. Tickets can be purchased at clarkart.edu/events or by calling the box office at 413 458 0524. Tickets are nonrefundable.
 
 

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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