Clark Art Reception for 'A Room of Her Own'

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WILLIAMSTOWN, Mass. — The Clark Art Institute will host an opening reception and lecture for its new exhibition, "A Room of Her Own: Women Artist-Activists in Britain, 1875–1945," on June 13 and 14, 2025. 
 
The exhibition highlights the work of twenty-five professional women artists in Great Britain who pursued their artistic careers and advocated for change.
 
The opening reception is scheduled for Friday, June 13, from 6:00 PM to 8:00 PM at the Clark Center, offering free admission, light refreshments, and a viewing of the exhibition. On Saturday, June 14, at 11:00 AM, Alexis Goodin, associate curator at the Clark and curator of the exhibition, will deliver an opening lecture in the Manton Research Center auditorium. 
 
The exhibition is described as exploring "the spaces women claimed as their own and which furthered their artistic ambitions." 
 
Both events are free, and advance registration is required through clarkart.edu/events or by calling 413-458-0524. The exhibition is organized by the Clark Art Institute and curated by Alexis Goodin, with support from various foundations and individuals.

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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