Clark Art Free Concert By William Parker and Patricia Nicholson

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WILLIAMSTOWN, Mass. —The Clark Art Institute presents an outdoor concert on Sunday, June 29 at 5 pm featuring an evening of visionary improvisation with composer and multi-instrumentalist William Parker and dancer-poet Patricia Nicholson as they present a duo adaptation of "Hope Cries for Justice." 

This free event takes place on the Moltz Terrace of the Lunder Center at Stone Hill.

According to a press release:

William Parker, a prolific bassist, composer, and educator, has dedicated his life to the concept of Universal Tonality, blending improvisation, composition, and social consciousness.

Patricia Nicholson, a dancer, poet, and organizer, integrates movement, music, and activism into performances that illuminate and inspire, creating experiences that foster community and collective expression.

This program is presented in collaboration with Belltower Records, North Adams, Massachusetts.

Free. Rain moves the performance to the auditorium, located in the Manton Research Center. For accessibility questions, call 413 458 0524. For more information, visit clarkart.edu/events.


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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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