WILLIAMSTOWN, Mass. — The Clark Art Institute announced that Lara Yeager-Crasselt has been appointed to serve as the first Aso O. Tavitian Curator of Early Modern European Painting and Sculpture.
Yeager-Crasselt is currently the Curator and Department Head of European Painting and Sculpture at the Baltimore Museum of Art, where she oversees the museum's collection of fifteenth- through eighteenth-century painting and sculpture, including its research, exhibition, loans, acquisitions, and publication. Prior to her current role at the Baltimore Museum of Art, she held prestigious curatorial and research positions at The Leiden Collection in New York and at KU Leuven, Belgium, among others. From 2015–2017, Yeager-Crasselt served as the Clark's Interim Curator of Painting and Sculpture.
"We are delighted to welcome Lara Yeager-Crasselt back to the Clark and we feel incredibly fortunate to be able to entrust the Aso O. Tavitian Collection to her stewardship," said Olivier Meslay, Hardymon Director of the Clark. "She is an ideal person to manage this collection, and we feel confident that Lara will play a major role in shaping the many ways in which we share these remarkable works of art with our visitors in the years ahead."
Yeager-Crasselt's curatorial experience includes a rich array of international exhibitions including Watershed: Transforming the Landscape in Early Modern Dutch Art (Baltimore Museum of Art); Exchanging Words: Women and Letters in Seventeenth-Century Dutch Genre Painting (Timken Museum of Art, San Diego); Rembrandt, Vermeer, and the Dutch Golden Age: Masterpieces of The Leiden Collection and the Musée du Louvre (Louvre Abu Dhabi); The Age of Rembrandt and Vermeer: Masterpieces of The Leiden Collection (Pushkin Museum, Moscow and The State Hermitage Museum, St. Petersburg, Russia), and Splendor, Myth, and Vision: Nudes from the Prado at the Clark.
"Lara is an exceptional scholar and curator and is well-regarded for her expertise in early modern painting and sculpture," said Esther Bell, the Clark's Deputy Director and Robert and Martha Berman Lipp Chief Curator. "Her deep knowledge and curatorial acumen will be a phenomenal addition to our team and will be so important to her research on the Tavitian Collection. Lara will also work with the Clark's full collection of fifteenth- through eighteenth-century paintings and sculpture, and I know that her prior experience with our existing collection will be particularly important as she integrates this transformative gift and develops the plan for its installation in the new Aso O. Tavitian Wing. I look forward to collaborating with Lara on our summer 2026 exhibition An Exquisite Eye: Introducing the Tavitian Collection, which will provide the first opportunity for our visitors to see some of the magnificent treasures in the Tavitian Collection."
An Exquisite Eye opens on June 13, 2026, and will showcase works by many of the most acclaimed artists of the early modern era—Jan van Eyck, Andrea della Robbia, Gian Lorenzo Bernini, Peter Paul Rubens, Jean-Antoine Watteau, and Jacques Louis David, among others. The exhibition will remain on view at the Clark through February 21, 2027.
The Aso O. Tavitian Collection was gifted to the Clark in 2024 from the foundation of the late collector, philanthropist, and connoisseur, Aso O. Tavitian. Between 2004 and 2020, Mr. Tavitian assembled the most significant private collection of European art assembled in North America in the twenty-first century. Representing one of the largest gifts in the Clark's history, the Tavitian gift includes 331 works of art from Mr. Tavitian's personal collection and more than $45 million to endow two new positions on the Clark's curatorial staff to oversee the collection; provide necessary support for its long-term care; and fund construction of the Aso O. Tavitian Wing at the Clark, which is slated to open in 2028. The gift of art includes 132 paintings, 130 sculptures, thirty-nine drawings, and thirty decorative arts objects, creating an important addition to the Clark's holdings and more than doubling the size of its sculpture collection.
"It is a tremendous honor to represent Aso O. Tavitian's collection and his legacy at the Clark, as well as a great privilege and joy to be able to care for these extraordinary objects in my new role," Yeager-Crasselt said. "I am truly thrilled to be returning to the Clark after these many years, and eager to join the team there in realizing the new Tavitian Wing and the first presentation of the collection this summer."
In addition to her curatorial activity, Yeager-Crasselt has published widely on the art of the Netherlands, particularly its cross-cultural and artistic exchange with Italy, among which are studies on Michael Sweerts and François Duquesnoy. She is also a dedicated teacher, having taught art history to students at Johns Hopkins University, Baltimore; Vassar College; George Washington University, Washington, D.C., the University of Maryland, College Park; and The Catholic University of America, Washington, D.C. She holds a PhD in Art History from the University of Maryland and a bachelor of arts degree in History from Vassar College.
Yeager-Crasselt will begin work at the Clark in December 2025 and will immediately join the Institute's cross-departmental team planning the construction of the Tavitian Wing. Designed by Selldorf Architects, New York City, the building project will get underway in early 2027 and will provide a permanent home for the Tavitian Collection.
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Puppets Teach Resilience at Lanesborough Elementary School
By Breanna SteeleiBerkshires Staff
The kids learned from puppets Ollie and a hermit crab.
LANESBOROUGH, Mass. — Vermont Family Network's Puppets in Education visited the elementary school recently to teach kids about being resilient.
Puppets in Education has been engaging with young students with interactive puppets for 45 years.
Classes filtered through the music class Thursday to learn about how to be resilient and kind, deal with change and anxiety, and more.
"This program is this beautiful blending of other programs we have, which is our anxiety program, our bullying prevention and friendship program, but is teaching children the power of yet and how to be able to feel empowered and strong when times are challenging and tough," said program manager Sarah Vogelsang-Card.
The kids got to engage with a "bounce back" song, move around, and listen to a hermit crab deal with the change of needing a new shell.
"A crab that is too small or too big for its shell, so trying to problem solve, having a plan A, B and C, because it's a really tough time," Vogelsang-Card said. "It's like moving, it's like divorce of parents, it's changing schools. It's things that children would be going through, even on a day to day basis, that are just things they need to be resilient, that they feel strong and they feel empowered to be able to make these choices for themselves."
The resiliency program is new and formatted little differently to each of the age groups.
"For the older kids. We age it up a bit, so we talk about harassment and bullying and even setting the scene with the beach is a little bit different kind of language, something that they feel like they can buy into," she said. "For the younger kids, it's a little bit more playful, and we don't touch about harassment. We just talk about making friends and being kind. So that's where we're learning as we're growing this program, is to find the different kinds of messaging that's appropriate for each development level."
This programming affirms themes that are already being discussed in the elementary school, said school psychologist Christy Viall. She thinks this is a fun way for the children to continue learning.
"We have programs here at the school called community building, and that's really good. So they go through all of these strategies already," she said. "But having that repetition is really important, and finding it in a different way, like the puppets coming in and sharing it with them is a fun way that they can really connect to, I think, and it might, get in a little more deeply for them.
Vogelsang-Card said its another space for them to be safe and discuss what's going on in their life. Some children are afraid because maybe their parents are getting divorced, or they're being bullied, but with the puppets, they might open up and disclose what's bothering them because they feel safe, even in a larger crowd.
"When we do sexual abuse awareness that program alone, over five years, we had 87 disclosures of abuse that were followed up and reported," she said. "And children feel safe with the puppets. It makes them feel valued, heard, and we hope that in our short time that we're together, that they at least leave knowing that they're not alone."
Bedard Brothers also gave the school five new puppets to use. Viall said the puppets are a great help for the students in her classroom, especially in the younger grades.
"Every year, I've been giving the puppets to the students. And I also have a few of the puppets in my classroom, and the students use them in small groups to practice out the strategies with each other, which is really helpful," she said. "Sometimes the older students, like sixth graders, will put on a puppet show. They'll come up with a whole theme and a whole little situation, and they'll act it out with the strategies for the younger students. It's really cute, they've done it with kindergarteners, and the kids really like it."
Vogelsang-Card said there are 130 schools in Vermont that are on the waiting list for them to come in. Lanesborough Elementary has been the only Massachusetts school they have visited, thanks to Bedard Brothers.
"These programs are so critical and life-changing for children in such a short amount of time, and we are the only program in the United States that does what we do, which is create this content in this enjoyable, fun, engaging way with oftentimes difficult subjects," she said. "Vermont is our home base, but we would love to be able to bring this to more schools, and we can't do this without the support of community, business funders or donors, and it really makes a difference for children."
The fourth-grade students were the first class to engage with the puppets and a lot of them really connected with the show.
"I learned to never give-up and if you have to move houses, be nervous, but it still helps," said William Larios.
"I learned to always add the word 'yet' at the end," said Sierra Kellogg, because even if she can't do something now, she will be able to at some point.
Samuel Casucci was struck by what one of the puppets talked about. "He said some people make fun of him if he dresses different, come from different place, brings home lunch, it doesn't matter," Samuel continued. "We're all kind of the same. We're all kind of different, like we have different hairstyles, different clothes. We're all the same because we're all human."
"I learned how to be more positive about myself and like, say, I can't do this yet, it's positive and helpful," said Liam Flaherty.
The students got to take home stickers at the end of the day with contact information of the organization.
Students got to showcase their art at the Clark Art Institute depicting their relationship with the Earth in the time of climate change. click for more
The 100th annual meeting will be held on March 10, 2027, the Community Chest's birthday (there will be cake, he promised) and a gala will be held at the Clark Art Institute on Sept. 25, 2027.
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