Berkshire Bach announces Appointment of Director of Choral Music and Principal Conductor

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GREAT BARRINGTON, Mass. — Berkshire Bach Society (BBS) announced the appointment of James Bagwell as Director of Choral Music and Principal Conductor, effective April 1, 2026.  
 
Bagwell previously served as Choral Director and has performed with BBS since the early 2000s.
 
"I've long admired James Bagwell's work as a choral conductor," said Eugene Drucker, Artistic Director of BBS, "specifically in the Berkshire Bach Society vocal concerts for which I've had the pleasure of serving as his concertmaster, and more generally in his meticulous preparation of the chorus for opera productions at Bard College's Summerscape and for oratorio performances with the American Symphony Orchestra at Carnegie Hall. I am pleased to formalize his involvement with our organization and to welcome him as Director of Choral Music and Principal Conductor."
 
Bagwell was recently named Principal Conductor of the Tulsa Symphony and has served as Principal Guest Conductor of the American Symphony Orchestra since 2009. He has prepared choruses for numerous national and international orchestras, and his choruses have been featured at the Salzburg, Verbier, Mostly Mozart, and Bard Music Festivals. He is Professor of Music and Music Program Director at Bard College, and Director of Performance Studies in the Bard College Conservatory of Music.  He serves as Co-Director of the Bard Conservatory Graduate Program in Conducting and is the Associate Conductor of The Orchestra Now (T?N)
 
Bagwell's new title is in effect when he conducts the first BBS performances in 30 years of J.S. Bach's St. John Passion on April 11 at the First Congregational Church in Great Barrington and April 12 at the Troy Savings Bank Music Hall, both at 3pm. 
 
Tickets for both events are available through BerkshireBach.org/events.
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King and Confidantes Debate Hope and Change in 'American Five'

By Alan PetrucelliSpecial to iBerkshires
STOCKBRIDGE, Mass. — Fiction and fact meld in the regional premiere of "The American Five," now playing at the Larry Vaber Stage of the Unicorn Theatre. 
 
The play takes a fictionalized look at the Rev. Dr. Martin Luther King Jr. and his four closest confidants in the months leading up to the famed March on Washington on Aug. 28, 1963. The quintet, through differing opinions, animated arguments, constant threats of violence and a late-night meal featuring challah bread and wine, become a family as they prepare for the history-making march that galvanized the Civil Rights movement.
 
Most of us know the King saga. It's the second act in which playwright Chess Jakobs' genius shines. Prejudice runs rampant here: Is Stanley Levison, a Jewish lawyer from New York who shows up in Montgomery to join the fight for racial equality and "to repair the world," viewed as white? Jewish? Both? And march strategist and organizer Bayard Rustin experiences his own fight for civil rights because of his homosexuality. Here, Jakob explores prejudice on different levels.
 
The cast is top-notch with many emotional highs. As King, Rashun Carter (who would look more like his character if he had a full moustache) and Sydney Elisabeth (as Coretta Scott King) are at their best during a scene that bounces between humor and poignancy. 
 
She questions her husband about his meeting with President John F. Kennedy; he is angry and refuses to discuss it. "There is no 'you' out there, without a 'me,' in here," she says, leading King to agree that because of her self-worth and unwavering devotion to him, she is "Coretta Scott Queen."
 
As Clarence Jones, King's personal counsel, Brett Diggs has assurance and dignity; Harry Smith's portrayal of lawyer Stanley Levison, is nothing short of extraordinary. Destan Owens' performance as gay Bayard Rustin is the play's most outstanding performance as he defends his relations with men: "You don't get to judge me!" he tells King. "I'm just trying to find love."
 
"The American Five" is tightly directed by Gerry McIntyre; the historic period projections and footage/designed by Alex Hill remind people that there are dreams, such as hope and change, that are still being fought.
 
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