Oral History Symposium: Building Community

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STOCKBRIDGE, Mass.—The Oral History Symposiums focus on oral history and storytelling to record and keep stories for posterity.
 
The symposium will be held at the Red Lion Inn, in Stockbridge, Massachusetts, on May 15, from 10 am-3:30 pm.  Registration is required.
 
According to a press release: 
 
At a time of disconnection and even isolation, we realize the tools we use in our oral history projects can strengthen communities. This symposium will help us create storytelling and oral history projects that intentionally use our listening and communicating to create connections and strengthen communities.
 
Symposium presenters include: 
 
Alisa Del Tufo, founder of the Threshold Collaborative and co-founder of Groundswell: Oral History for Social Change. Alisa pioneered the use of oral history/narrative work with those impacted by domestic violence and social injustice. For the past 10 years she has taught at Bennington College. Her courses are built around the theory and practice of listening: Oral History for Social Change, Restorative Justice, and Participatory Action Research. While teaching, she continued to run the Threshold Collaborative; while working around the country, Threshold partnered with community organizations to help them use the power of narrative to build personal and social change.
 
Sarah-Jane Poindexter, a Roving Archivist for Massachusetts State Historical Records Advisory Board, travels the state to provide support, advice, and encouragement to cultural heritage institutions working on care and management of their collections, including oral history collections. Prior to her work in Massachusetts, Sarah-Jane was Manuscript Archivist and Co-Director of the Oral History Center at the University of Louisville Archives and Special Collections, and Curator of Special Collections at the Filson Historical Society in Louisville, KY. Her work with oral history projects and managing oral history collections is invaluable, as most projects greatly benefit from starting out with a goal for presentation, safe archiving, or both.
 
Jean Minuchin, director of World and Eye Arts Center, and Anaelisa Jacobsen, founder of Manos Unidas, Multicultural Educational Collaborative, recently completed "Raices de Cuentos/Roots of Stories," a community oral history project in Pittsfield, Massachusetts. Their project concluded with an art exhibition, and is being archived with the Digital Commonwealth, supported by a grant from Mass Humanities.
 
Tickets are $30 per person and include the symposium, coffee/tea, and lunch.  Registration will be limited.  The deadline for registering is May 7.
 
To register:
If you would like to contribute information on this article, contact us at info@iberkshires.com.

King and Confidantes Debate Hope and Change in 'American Five'

By Alan PetrucelliSpecial to iBerkshires
STOCKBRIDGE, Mass. — Fiction and fact meld in the regional premiere of "The American Five," now playing at the Larry Vaber Stage of the Unicorn Theatre. 
 
The play takes a fictionalized look at the Rev. Dr. Martin Luther King Jr. and his four closest confidants in the months leading up to the famed March on Washington on Aug. 28, 1963. The quintet, through differing opinions, animated arguments, constant threats of violence and a late-night meal featuring challah bread and wine, become a family as they prepare for the history-making march that galvanized the Civil Rights movement.
 
Most of us know the King saga. It's the second act in which playwright Chess Jakobs' genius shines. Prejudice runs rampant here: Is Stanley Levison, a Jewish lawyer from New York who shows up in Montgomery to join the fight for racial equality and "to repair the world," viewed as white? Jewish? Both? And march strategist and organizer Bayard Rustin experiences his own fight for civil rights because of his homosexuality. Here, Jakob explores prejudice on different levels.
 
The cast is top-notch with many emotional highs. As King, Rashun Carter (who would look more like his character if he had a full moustache) and Sydney Elisabeth (as Coretta Scott King) are at their best during a scene that bounces between humor and poignancy. 
 
She questions her husband about his meeting with President John F. Kennedy; he is angry and refuses to discuss it. "There is no 'you' out there, without a 'me,' in here," she says, leading King to agree that because of her self-worth and unwavering devotion to him, she is "Coretta Scott Queen."
 
As Clarence Jones, King's personal counsel, Brett Diggs has assurance and dignity; Harry Smith's portrayal of lawyer Stanley Levison, is nothing short of extraordinary. Destan Owens' performance as gay Bayard Rustin is the play's most outstanding performance as he defends his relations with men: "You don't get to judge me!" he tells King. "I'm just trying to find love."
 
"The American Five" is tightly directed by Gerry McIntyre; the historic period projections and footage/designed by Alex Hill remind people that there are dreams, such as hope and change, that are still being fought.
 
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