Pick of the Week: Brian Rolland

By Keith HannaleckiBerkshires Columnist
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Brian Rolland - The Tide's In
The Tide's In

Brian Rolland is a seasoned jazz player with several studio albums and many years of practical training behind him. On the 2007 release "The Tide's In," he has a host of great support behind him to make the recording exceptional.

Rolland plays all the guitars, and adds some vocals while the rest of his band (see credits) provides the quintessential support necessary for a great recording.

"The Tide's In" shows the many talents of Rolland. The opening track sets the pace and creates a nice healing atmosphere with some lovely female vocals that encourages Holland's guitar to step deeper into the flowing waters. This is an invitation to musical enchantment that is only the beginning. As it turns out this does set the precedence for the album. 

I felt the songs where Rolland used his female counterparts to cover the vocals were the most appealing. His guitars do most of the talking throughout this recording, however; yet he does an adequate job with the vocals he contributes.

The instrumentals are particularly interesting because the focus is entirely on Rolland's incredibly talented six-string virtuoso. He is an accomplished jazz musician that likes to inject his music with tropical Latin flavors and dashes of pop.

"Free Fall" and "Millennium Calypso" are a great stage for this accomplished musician to capture your imagination with his fluid and precise playing. As much as I appreciated the tracks that had vocals I think kicking back and soaking up the instrumentals where what made me realize just how good of a guitar player Rolland is.

"Kick It" is a great tune, full of life and inspired with catchy guitar riffs and one line throughout — "Grab your hat, kick it back!" There are some nice rhythmic vocal workouts with some old-fashioned humming and scatting to feed the guitar frenzy.

Holland really cuts loose on this track offering up some of his very best guitar work and it turns out to be the best song on the album. Another instrumental comes in right behind it titled "Catch Me If You Can." 

This music reminded me of one of my favorite jazz albums of all time, "Harlequin," featuring Dave Grusin and Lee Ritenour. For me, that was sweet because I was discovering jazz at the time that album came out. For this listener, this is one of the highest forms of compliments that I could give an artist and it is well deserving indeed.

Keith "MuzikMan" Hannaleck of Adams offers up his best-listening bets as a regular contributor to iBerkshires. For more reviews, www.muzikreviews.com.


Tracks
01.

Tide's In

07.
 
Roots of Rhythm Remain/African Skies
02. Magellan 08.

Millenium Calypso
03. Free Fall 09. Somewhere
04. Doliber's Cove 10. Kick It!
05.
Collage/Water Is Wide
11.

Catch Me If You Can

06. Ask Me To 12. Moonlight Holds The Key

Credits:

Brian Rolland — guitars, vocals, piano

John Lockwood — bass

Bob Warner — percussion

Dave Mattacks —  drums, keyboards, piano (track No. 1), percussion

Eguie Castrillo — congas, percussion

Hope Carpenter, Marianne Murphy, Katy Auburn — vocals
 
Genre: Jazz/pop

Label: On The Full Moon Productions

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Pittsfield Subcommittee Supports Tax Incentive for St. Joe's Project

By Brittany PolitoiBerkshires Staff

PITTSFIELD, Mass. — The developer of the former St. Joseph's Central High School dreams of a glass rear that floods light into the auditorium and allows for more parking. 

On Tuesday, the subcommittee on Community and Economic Development unanimously supported a proposed 10-year tax increment exemption agreement to redevelop the former Catholic high school. 

They heard details about the plan to convert the shuttered school into a 70 percent residential, 30 percent commercial building with 20 percent of the 19 apartments designated affordable. It is expected to be an 18-month project once begun. 

Over the last decade or so, developer David Carver, of Scarafoni Associates & CT Management Group, has been involved with several overhauls of churches, school buildings, and even a firehouse into apartments. 

"I've always been interested in older historic buildings, especially in downtowns, and as the economy changes, we know there are lots of older buildings, worthy buildings that need a new life, and I've always found it interesting and a challenge to save them and turn around," Carver said. 

"Most of these buildings, I will say, are generally better built and more attractive than some of the new buildings that are built everywhere, and I've always been drawn to that, and it's almost like public art to me."

In 2017, the 120-year-old school ceased operations. After the COVID-19 pandemic hit, it sheltered people without homes before The Pearl, a 40-bed downtown shelter, was finished a few years ago. 

The TIE would freeze the current property value base, starting at 100 percent forgiveness in the first year, decreasing by 10 percent annually over the agreement's 10-year period. 

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