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Ruby Bridges Hall and her former elementary school teacher Barbara Henry reunite in front of Norman Rockwell’s painting 'The Problem We All Live With' at Norman Rockwell Museum, June 5, 2004. Photo ©Norman Rockwell Museum. All rights reserved.

Rockwell's 'The Problem We All Live With' Remains Symbol of Struggle for Racial Equality

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“The Problem We All Live With,” Norman Rockwell, 1963 Oil on canvas, 36” x 58” Illustration for “Look,” January 14, 1964 Licensed by Norman Rockwell Licensing, Niles, IL. From the permanent collection of Norman Rockwell Museum
STOCKBRIDGE, Mass. — Six-year-old Ruby Bridges’ history-changing walk integrating the William Franz Public School in New Orleans took place nearly 50 years ago, on Nov. 14, 1960. The moment took place six years after the 1954 United States Supreme Court Brown v. Board of Education ruling declared that state laws establishing separate public schools for black and white students were unconstitutional,  and represented a definite victory for the American Civil Rights Movement.

Among those Americans to take note of the event was artist Norman Rockwell, a longtime supporter of the goals of equality and tolerance. In his early career, editorial policies governed the placement of minorities in his illustrations (restricting them to service industry positions only), however in 1963 Rockwell confronted the issue of prejudice head-on with one of his most powerful paintings—”The Problem We All Live With.” Inspired by the story of Ruby Bridges and school integration, the image featured a young African-American girl being escorted to school amidst signs of protest and fearful ignorance. The painting ushered in a new era in Rockwell’s career, and remains an important national symbol of the struggle for racial equality.

“I was about 18 or 19 years old the first time that I actually saw it,” says Ruby Bridges Hall, who now serves on the board of Norman Rockwell Museum, which owns the original painting. “It confirmed what I had been thinking all along—that this was very important and you did this, and it should be talked about… At that point in time that’s what the country was going through, and here was a man who had been doing lots of work—painting family images—and all of the sudden decided this is what I am going to do… it’s wrong and I’m going to say that it’s wrong.”

The illustration appeared in the Jan. 14, 1964 issue of “Look” magazine, and earned Rockwell letters of both praise and criticism from readers unused to such direct social commentary from the illustrator. Rockwell would revisit the theme of civil rights in several other illustrations from the period, and in 1970 received the Million Dollar Club Award from The National Association for the Advancement of Colored People, for having contributed $1,000 to the organization.

“The Problem We All Live With” was the first painting purchased by Norman Rockwell Museum in 1975, and is currently on view in the national touring exhibition “American Chronicles: The Art of Norman Rockwell.” An intimate installation commemorating Ruby Bridges’ historic walk will be exhibited at the museum starting Saturday, Nov. 13, and will include studies, photographic references, and the original “Look” magazine tear sheet featuring Rockwell’s iconic image. On Sunday, Nov. 14, curator Corry Kanzenberg will give a one hour talk about the painting, starting at 11:30 a.m.

Bridges Hall, who founded The Ruby Bridges Foundation in 1999 to promote the values of tolerance, respect, and appreciation of all differences, commends Rockwell for having “enough courage to step up to the plate and say I’m going to make a statement, and he did it in a very powerful way.” Learn more about the Ruby Bridges Foundation at www.rubybridges.com.

Norman Rockwell Museum is located on 36 park-like acres in Stockbridge, Rockwell’s hometown for the last 25 years of his life. The museum is open year-round. From May through October, hours are 10 a.m. to 5 p.m. daily; from November through April, hours are 10 a.m. to 4 p.m. Monday through Friday, and 10 a.m. to 5 p.m. on weekends and holidays. Rockwell’s studio is open May through October, 10 a.m. to 5 p.m.. Museum admission is $15 for adults, $10 for students, and $13.50 for seniors. Antenna Audio Tour of select paintings from the museum’s permanent Norman Rockwell collection is available. For more information, the public is invited to visit www.nrm.org or call 413-931-2221.
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PEDA Site 9 Preparation, Member Retirement

By Breanna SteeleiBerkshires Staff

PITTSFIELD, Mass. — The redevelopment of Site 9 for mixed-use in the William Stanley Business Park is set to take off. 

Edward Weagle, principal geologist at Roux Associates, gave an update on the yearlong work to the Pittsfield Economic Development Authority last week.

"It's been a real pleasure for me to work on a project like this," he said. "This is kind of like a project of a career of a lifetime for me, and I'm very pleased to see that we're just at the finish line right now. My understanding is that all the documents are in front of the commissioner, waiting for her to sign off."

Mill Town Capital is planning to develop a mixed-use building that includes housing on the site. Roux, headquartered in Islandia, N.Y., was hired assist with obtaining grant financing, regulatory permitting, and regulatory approvals to aid in preparing the 16.5-acre site for redevelopment. Approximately 25,000 cubic yards of concrete slabs, foundations, and pavements were removed from the former GE site. 

Once the documents are signed off, PEDA can begin the work of transferring 4.7 acres to Mill Town. Weagle said the closing on this project will make it easier to work on the other parcels and that he's looking forward to working on Sites 7 and 8.

PEDA received a $500,000 Site Readiness Program grant last year from MassDevelopment for Sites 7 and Site 8. The approximately 3-acre sites are across Woodlawn Avenue from Site 9 and border Kellogg Street. 

In other news, the state Department of Transportation has rented the east side of the parking lot for CDL (Commercial Driver's License) training. This is an annual lease that began in September and will bring in $37,200 in revenue.

Lastly, the meeting concluded with congratulations to Maurice "Mick" Callahan Jr. on his retirement.

Callahan is a former chair and a founding member of PEDA, dating back to when the board was established in the 1990s. He has also served on a number of civic and community boards and has volunteered for many organizations in the Berkshires. He is the president of M. Callahan Inc. 

"The one thing that's been a common denominator back is that you've always put others before yourself. You've served others well. You've been a mentor to two generations of Denmarks, and I'm sure many generations of other families and people within this city," said board Chair Jonathan Denmark. "We can never say thank you enough, but thank you for your services, for the creation of this board, your service to the city of Pittsfield, and to all the communities that you've represented and enjoy retirement." 

"It wasn't always easy to be in the position that you were in Mick, but you handled it with so much grace, always respecting this community, bringing pride to our community," member Linda Clairmont said. "I could not have accomplished many of the things I did, especially here for this business part, without you all of the Economic Development discussions that we had really informed my thinking, and I'm so grateful."

Callahan left the team with a message as this was his final meeting, but said he is always reachable if needed.

"I also have to say that a lot of great people sat around this table and other tables before the current board, and the time that I had with Pam [Green] and Mike [Filpi] sticking around, the leadership of this mayor [board member Linda Tyer], and it really, it was always great synergy," he said.

"So don't be afraid to embrace change. And you know, you got a business model. It's been around long time. Shake it up. Take a good look at it, figure out where it needs to go, and you're lucky to have leadership that you have here."

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