WCMA Looks at 'African Americans & American Scene'

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WILLIAMSTOWN, Mass. — The Williams College Museum of Art will present "African Americans and the American Scene, 1929–1945" this spring.

On view from Jan. 14 to April 22, the exhibit explores the role of African-Americans in the visual and performing arts during the Great Depression. A gallery talk will be held on Thursday, Feb. 16, at 4:30 p.m. followed by a public reception to 7:30. The event are free and open to the public.

Shaken by the economic collapse of the Great Depression, the country experienced a profound crisis of national identity. Artists began to picture the "American Scene," subjects culled from daily life such as farms, labor, picnics and landscapes. African-American culture was used as source material for depicting the American Scene. Furthermore, federal funding for the arts during the depression provided opportunities for white and black artists alike. Through visual art, dance, and film, the exhibit endeavors to sift though the complexities of racial representation in art and the social inclusion and exclusion that affected black artists and performers' access to their medium of choice.

Artists featured include Thomas Hart Benton, Walker Evans, Robert Gwathmey, Dorothea Lange, Aaron Siskind and Marion Post Wolcott. Artwork by Samuel Brown, Jacob Lawrence and William H. Johnson will highlight the ways that black artists engaged with the American Scene movement. The visual art from the 1930s and '40s will be paired with Barbara Morgan's photographs of modern dancer Pearl Primus and artistic storyboards from the film "Emperor Jones," starring Paul Robeson.


The exhibit is co-curated by Dalila Scruggs, Mellon Curator for Diversity in the Arts, and Sandra Burton, Lipp Family Director of Dance at Williams College. A variety of programs and events are planned for students and the general public for the duration of the exhibition.

This exhibition is made possible by the support of the Andrew W. Mellon Foundation through the establishment of the Williams College Museum of Art Mellon Curatorial Fellowship for Diversity in the Arts.
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Williamstown Board Opts to Negotiate with College on Water St. Lot

By Stephen DravisiBerkshires Staff

Newly elected board member Nate Budington, far left, participates in his first in-person meeting along with, from left, Matt Neely, Stephanie Boyd, Peter Beck, Shana Dixon and Town Manager Robert Menicocci.
WILLIAMSTOWN, Mass. — The Select Board on Monday decided to enter into negotiations with Williams College on the sale of the vacant town-owned lot at 59 Water St.
 
But the board members made it clear that the college's proposal to acquire the lot is a starting point, not a final deal that the elected officials would accept.
 
"For the sake of continued conversation, I'm in favor of [awarding Williams the site], but if this process wasn't continued with the opportunity for further negotiation, I wouldn't vote to continue this," Peter Beck said. "I think that next step is necessary for us to get to a yes on this."
 
"I think there's wide agreement on that," Matthew Neely said just before the 5-0 vote to enter talks with the college.
 
Williams was the sole respondent to a town-issued request for proposals to develop the former town garage site, currently a dirt lot.
 
The college's stated intent is to build a new Facilities office and create up to 170 parking spaces at 59 Water Street. That use will allow the college to redevelop the current Facilities building site and parking lot as part of a reconception of the school's indoor athletic and recreation facilities.
 
Under the terms of the RFP, the college's proposal was subjected to review by an ad hoc advisory committee to the town manager, who brought the question to the Select Board. That board will have the final say on any purchase and sales agreement.
 
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