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Congressmen Get Firsthand Look At Hoosac Tunnel

By Tammy DanielsiBerkshires Staff
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U.S. Rep. John W. Olver, D-Amherst, said he was 'allowed to have my hand on the throttle while it was sitting very still ... They also had another guy sitting there with his hands on the brake in case I got rambunctious.'
NORTH ADAMS, Mass. — The region's congressmen got a firsthand look at the challenges to freight rail from the  high cab of a brilliant blue Pan Am passenger train on Thursday.

U.S. Reps. John W. Olver and Richard Neal, accompanied by Pan Am Railways and state Department of Transportation officials, took the train from Greenfield through the historic Hoosac Tunnel, a top priority in clearing the way for the use of double-decker freight canisters.

"It's really critically important to get that done because the whole of Northern New England [is accessed] from this railroad line," said Olver.

The state was awarded a $2 million competitive grant by the U.S. Department of Transportation in early March toward preliminary engineering and environmental studies of 19 obstructions in two tunnels and 17 road, rail or pedestrian bridges that prevent the use of double-stack trains along the so-called "Patriot Corridor" between Mechanicville, N.Y., and Ayers.

The major challenge is the nearly five-mile Hoosac Tunnel, a 19th-century engineering marvel that cemented the city's claim as the Western Gateway. The 1950s Pan Am passenger train glided into Western Gateway Heritage State Park, a reminder of what had once been a bustling rail yard in the last century.

"It's a reminder of the role again that rail transportation has played not only in American history but in terms of future investment," said Neal, outside the Visitors' Center that hosts a museum dedicated to tunnel. "Rail transportation has made a great comeback ... you can see in Central and Western Massachusetts the success that rail transportation is having for commercial purposes, particularly for short lines."

Neal later visited McCann Technical School, Morrison Berkshires and Massachusetts College of Liberal Arts and taught a class at Williams College before meeting with the Williams Democrats. Olver spent some time in the train museum.

The height of the Hoosac Tunnel has hampered the ability to get freight north to Vermont, New Hampshire and Maine via Pan Am, which is partnering with Norfolk Southern Railways. CSX operates a southern route that runs through Pittsfield. Olver said that for freight purposes, Northern New England is easier reached from this railroad line rather than CSX to the south.



Above, Olver and Neal rode in the cab of the train; right, Pan Am President David Zink said the tunnel project presents difficulties.
"We were showing Congressman Neal and Congressman Olver the issues that we're going to be dealing with," said David A. Fink, president of Pan Am Railways, who described the congressmen as instrumental in obtaining the feasibility funding. "This study is to see what it will cost to clear the Hoosac Tunnel to 20 feet, 6 inces as well as the 18 other bridges or tunnels that we go through."

The tunnel, still the longest east of the Mississippi, needs about a foot more clearance, said Fink, either by scraping the roof or lowering the track. The height had been raised in 1997 to accommodate triple-racks and doubles that were one high and one low but that configuration no longer works.

Once the engineering is completed, the hard part will be how to do it.

"You can't just close the tunnel for a month and fix it ... We need to run trains," said Fink. "It will be an interesting engineering project for the low bidder who gets it."

Olver estimated the tunnel work will be as costly as the other 18 obstacles put together.  

"The Congress will have to make some commitment and the state will need to make some commitment, but a good portion of it is going to have to be done by Pan Am and Norfolk Southern," he said. "It's going to be in their interest to get it done, too."

Tags: Hoosac Tunnel,   railroad,   railway,   

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Why the Massachusetts Art Community Is Worth Continued Investment

By James BirgeGuest Column
How do we quantify the value of art on society and culture? Even eye-popping figures, like the $100 million estimate for the jewels stolen from the Louvre, or the record auction last fall that saw a piece by Gustav Klimt sell for more than $236 million can't fully account for the value of the history, stories, and emotions behind the creations themselves. But beyond that, there is a measurable financial, cultural and social benefit of the arts that is often taken for granted. 

Closer to home, arts and cultural production in the Commonwealth of Massachusetts totals nearly $30 billion annually, representing more than 4 percent of the state's economic output, according to the Mass Cultural Council. All told, more than 130,000 jobs are spread across the commonwealth creating a vibrant and thriving artistic community for us all to enjoy. 

Despite the obvious impact, these figures are under threat. A recent survey by MassCreative compiled recent federal cuts to the National Endowment for the Arts, the National Endowment for the Humanities and the Institute of Museum and Library Services and identified 63 grants canceled and $4.2 million in grant funding rescinded across New England so far this year. 

The dollars, of course, are important. But they also only scratch the surface on what they bring to the community. Today, we risk losing part of the culture and identity many now take for granted. 

While others choose to look past these less tangible, but just as vital benefits, we're doing the opposite. Massachusetts College of Liberal Arts is all in to ensure the next generation retains their access to works of art, while also being empowered to create themselves. 

Last fall, MCLA officially broke ground on the new Campagna Kleefeld Center for Creativity in the Arts, which will serve as a new hub for the campus and the local community for arts programming. When complete in fall of 2027, our students will benefit, but so will all of Berkshire County and artists in the surrounding area. 

This exciting new facility is just one of the many forthcomings our region can enjoy in the coming years. Just a few miles away, anticipation builds for the Fall 2027 anticipated opening for the Williams College Museum of Art. Years in the making, the museum likewise grows from an enduring commitment to the arts, both in curriculum and in practice. Exciting times are also underway for the Clark Art Institute with the construction of a new facility to house a collection of 331 works of art, including paintings, sculptures, drawings and other works. Their wing is scheduled for completion in 2028. And listeners will no doubt enjoy the sounds and melodies from Mass MoCA Records, the latest endeavor to foster creativity and artistic pursuits through music launched in October as well. Of course, many are also awaiting the reopening of the Berkshire Museum anticipated this summer, after a tremendous renovation process to rejuvenate the experience for visitors. 

So much time, energy, and yes, dollars, have already been invested in taking these facilities from ideas and sketches and making them reality. But they represent much more than new buildings. They represent new opportunities to cultivate and accelerate the thriving arts community in Massachusetts and the northern Berkshires. 

Art, regardless of the medium, is a reflection of who we are, where we've been, and what we aspire to be. It can be inspired by hopes or fears and chronicle collective triumphs as well as tribulations. The goal of art is not only to document history, but to inspire those positioned to change it and to feel something new or even to provoke us to revisit our own assumptions or misconceptions. 

As unfathomable of a number as $30 billion can seem, boiling down the impact to any number inherently discounts the unknowable downstream effects our graduates will bring to the community and the broader world after they leave our institutions. Likewise, rescinding $4.2 million now removes a huge chunk of that growth potential.  

Justification for making these investments today when simply boiled down to dollars and cents still places us on solid ground strictly from a financial perspective that forgoes all of the intangible, but no less valuable, benefits as well.  

The arts are still worth our support. And our community will be richer for it. 

James Birge, PhD, is president of Massachusetts College of Liberal Arts in North Adams.  

 

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