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The Rodin library with a photograph featuring 'Monument to Balzac' at the Clark Art.

Clark Art Features 'Rodin in the United States'

By Sabrina DammsiBerkshires Staff
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'Monument to Balzac' is on display off the museum's lobby. 
WILLIAMSTOWN, Mass. — One of the largest exhibits of the works of Auguste Rodin seen in the United States in the past 40 years is now on view at the Clark Art Institute. 
 
The exhibit consists of 50 sculptures and 25 drawings from American museums and private collections that collectively demonstrate the story of the collectors, agents, art historians, and critics who worked to make Rodin known in America. 
 
Although there have been many exhibits on Rodin, less attention has been directed to toward the French modernist's legacy in the United States. The Clark exhibit considers Rodin's influence and reputation on America from 1893 to the present day.
 
Part of the exhibit can be found on the first floor when entering the Clark, to the right of the main lobby, where Rodin's "Monument to Balzac" is on display. Visitors can sit in the "Rodin library" filled with books on sculptor and where sketchpads with pencils are available for use. 
 
The rest of the exhibit is on display within the museum and separated into three parts: "The Collectors," "The Era of Museums" and "The Revival."
 
Each of these sections shows the progression of Rodin's work and career. Throughout the exhibit, visitors can see the progression of his work through some of his original plaster models and then the completed pieces. 
 
On display are also some sculptures that Rodin did not finish, giving the viewer a chance to see the artist's process. Rodin was considered unconventional at the time for many reasons including how some of his art looked unfinished to contemporaries and bear traces of his process. 
 
"The Collectors" section of the exhibition showed the first group of Rodin's art that was presented in the United States beginning with pieces put on display at the Chicago World's Fair in 1893. 
 
Born in 1840 into a working-class family in Paris, he studied art and math in his youth -- but was rejected by École des Beaux-Arts --- dabbled with idea of taking religious orders, and worked as a craftsman on ornamental designs and on public commissions. He finally opened a studio where he worked with live models in the early 1880s.
 
He was interested in expressing human emotion and often reused parts from previous pieces. Initially, he was not very popular in the United States because of the provocative depictions some of his sculptures showed. These pieces were moved to a private space and were only accessible by request. 
 
He was known for breaking convention by celebrating classical beauty by representing the people around him. Some of his best known works are the "The Thinker" and "The Kiss."
 
With the influence of many collectors, artists, and curators, including Rodin's model Katherine Seney Simpson; American actor, dancer, and choreographer Loïe Fuller; philanthropist Alma De Bretteville Spreckels, and more, Rodin's work slowly began to gain popularity as it entered the private and public collections. 
 
The "Era of Museums" section of the exhibition follows the reputation of his work following his death in 1917. Rodin left the contents of his studio to the French state with the condition that a museum would be founded for his work in Hôtel Biron in Paris. 
 
The museum had instructions from the artist that casts be made in bronze of his sculptures that would finance the museum's operations and increase the knowledge of his work. 
 
American museums and collectors started to expand their Rodin collections gathered from gifts or purchases but many institutions favored displaying the finished narrative subjects. The unfinished works that are praised today were sent to storage until World War II. 
 
The final section of the exhibit, "The Revival," examines his work from 1954 until the present day when scholars and critics started to recognize the daring and modernity of his work after the director of the Museum of Modern Art Alfred Barr requested a bronze cast of Rodin's "Monument to Balzac" be made.
 
Barr considered the piece "one of the greatest sculptures in the history of Western art" leading to Rodin's work becoming fully established in the united states. 
 
This exhibit demonstrates the progression of his pieces becoming fully established in the United States.
 
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Williamstown Board Hears Concerns About 'Hometown Heroes' Banners

By Stephen DravisiBerkshires Staff
WILLIAMSTOWN, Mass. — Kurt Durocher told the Williamstown Select Board that he had received nothing but positive feedback from the North County communities where he proposed participation in the Hometown Heroes banner program.
 
Then Williamstown residents started to weigh in.
 
Durocher was before the board Monday evening to seek its blessing to put banners recognizing living and deceased military veterans on utility poles in Williamstown, an initiative that has been embraced in all but one of the other municipalities in the district where he serves as Veterans' Service Officer.
 
"The only negative I've had right now, and it's not really negative, [the Town of ] Florida doesn't want banners to go on Route 2, the Mohawk Trail, for safety reasons, understandably," Durocher said. "So we're trying to figure out an alternate way to make that work in Florida."
 
By and large, though, the reception to the program has been encouraging, Durocher said.
 
"I'll use Adams as an example," he said. "They've had a program for many, many years, but it's only for [military personnel] killed in action. Now that I've been allowed to take over that program … there's been a huge outpouring of support, because now we get living veterans on the poles as well.
 
"The only negative I've had is certain people want their banners in certain locations. So what we did in North Adams is we just did a random draw. I can't please everybody. I've got people who want a banner in a certain location, but three other people want that same location.It was a straight random draw for them."
 
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