Beyond Boundaries: Seeing Art History from the Caribbean

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WILLIAMSTOWN, Mass. — On Thursday, Oct. 20, and Friday, Oct. 21, the Research and Academic Program at the Clark Art Institute hosts a Clark Conference, Beyond Boundaries: Seeing Art History from the Caribbean. 
 
The conference begins at 9 am in the Clark's auditorium. The program is free and open to the public.
 
Included in a press release: Why has art history—a discipline often defined by its relationship with shifting terrains of theoretical critique and analysis—been slow to engage with Caribbean writers and thinkers, to take seriously their multidisciplinary, multi-theoretical, and multi-lingual voices? This conference asks what a deep engagement with the nuances of Caribbean intellectual thought could mean for art history.
 
Speakers include:
  • Anna Arabindan-Kesson (co-convener), assistant professor of African American and Black diasporic art Princeton University, Princeton, New Jersey
  • Anthony Bogues, Asa Messer Professor of Humanities and Critical Theory; professor of Africana studies and history of art and architecture; director of the Center for the Study of Slavery and Justice Brown University, Providence, Rhode Island
  • Petrina Dacres, curator and head of art history, Edna Manley College of the Visual and Performing Arts Kingston, Jamaica
  • Aldeide Delgado, founder and director, Women Photographers International Archive (WOPHA) Miami 
  • Andil Gosine, professor, environmental arts & justice coordinator York University, Toronto
  • Yanique Hume, lecturer in cultural studies University of the West Indies at Cave Hill, Barbados
  • Deborah Jack, artist, associate professor of art New Jersey City University, Jersey City Erica Moiah James, assistant professor of African, Black & Caribbean Art University of Miami
  • patricia kaersenhout, artist Amsterdam, the Netherlands
  • Daniella Rose King, adjunct curator of Caribbean diasporic art Hyundai Tate Research Centre: Transnational, London
  • Charl Landvreugd, artist Stedelijk Museum, Amsterdam, the Netherlands
  • Tessa Mars, artist and resident fellow (2020–2022)
  • Rijksakademie Van Beeldende Kunsten, Amsterdam, the Netherlands
  • Wayne Modest (co-convener), head of research, National Museum of Worldcultures, and director of content, Wereldmuseum Rotterdam, the Netherlands
  • María Elena Ortiz, curator The Modern Art Museum of Fort Worth, Texas Jerry Philogene, associate professor of American studie Dickinson College, Carlisle, Pennsylvania
  • Marcel Pinas, artist Suriname
  • Veerle Poupeye, independent curator Kingston, Jamaica 
  • Adrienne Rooney, PhD candidate in art history Rice University, Houston
  • Nicole Smythe-Johnson, independent curator, PhD candidate in art history The University of Texas at Austin
  • David Scott, Ruth and William Lubic Professor of Anthropology Columbia University, New York City
  • Andrea Chung, artist San Diego, California
 
The event is free; advance registration is not required. For more information, visit clarkart.edu/events.
 
This program has been made possible in part by a major grant from the National Endowment for the Humanities: Democracy Demands Wisdom. Any views, findings, conclusions, or recommendations expressed in these programs do not necessarily represent those of the National Endowment for the Humanities.

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Steinerfilm to Close This Summer

Staff Reports
WILLIAMSTOWN, Mass. — The Simmonds Road metallized plastic film manufacturer will close this summer after more than 50 years of operation.
 
The Berkshire Eagle reported that Steinerfilm will close at the end of June, leaving 34 people unemployed. The company is working to connect employees with new jobs and resources, and will transition its customers to German sister company Steiner Film GmbH.
 
The Eagle reported that rising costs, supply chain issues, and tariffs made it difficult to operate in the U.S., and a planned sale of the company to a customer fell through.
 
After the closure, the property will go up for sale and the machines will be decommissioned.
 
Founded on the heels of Ernst Steiner’s 1951 breakthrough in downsizing electrical capacitors using metallized plastic film, Steinerfilm officially planted its roots in Williamstown in 1972 as a sales and distribution hub. The operation quickly moved from a satellite office to full-scale manufacturing, launching domestic metallizing production in 1978 with custom German equipment and anchoring its supply chain in 1981 by acquiring its own polypropylene film line.
 
The company underwent a final major facility expansion in 1990. In its prime, the faciltiy employed nearly 200 people.
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