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Mayor Jennifer Macksey cuts the ribbon at Mill Town Circus on Thursday. The first performance is Friday night at 7 p.m.
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Mill workers working those gears.
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Light and sound are components of the performance.

Mill Town Circus Highlights North Adams History for Fall Foliage

By Tammy DanielsiBerkshires Staff
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Carlo Pellegrini takes on the role of ringmaster, storyteller and mill boss as North Adams' history is revealed through acrobatics. 
NORTH ADAMS, Mass. — The circus has come to town for this year's Fall Foliage Festival.
 
In line with this year's parade theme of Berk du Soleil, Mill Town Circus's bright yellow and blue tent went up this week at Noel Field Athletic Complex and will open on Friday night with a 90-minute production inspired by the city's manufacturing history. The performances will run this weekend and next. 
 
Ringmaster and storyteller Carlo Pellegrini and Hilary Sweeney, founder of Westchester Circus Arts, are promising innovative and acrobatic performances by talented and experienced artists from circuses including Cirque du Soleil and from Ringling Brothers.
 
"These are the people that like, make it all happen. We wear so many hats," Sweeney said of the half-dozen or so crew who pitched in to put up the tent and take on other duties. "They're multi-talented performers.
 
Mayor Jennifer Macksey said the hope is that this will become an annual event that will provide something new and exciting for Fall Foliage. 
 
The couple moved to the Berkshires five years ago, purchasing a home and few acres on Florida Mountain (Pellegrini says he loves snow and plowing). During the summer, they run circus camps in New York State. 
 
Pellegrini's been in the business close to 50 years as a clown, juggler and ringmaster and Sweeney, who also has a background in ballet, has been an aerialist for nearly 20 years. She founded Westchester Circus Arts in 2012.
 
Things went sour for the circus performers during the pandemic and Pellegrini said they had to rethink their careers. 
 
"We were up on the mountain saying, is there the possibility to transform our business? Let's just keep doing tent shows and performing for schools and educational purposes," he said.  
 
Pellegrini said the performances illustrate a story, and their North Adams debut was inspired by the city's manufacturing history and its transformation. Sweeney came up with the name Mill Town Circus (no relation to Mill Town Capital in Pittsfield). 
 
"Once she did that, I wrote it, and we just spent a couple days fixing it, like the mills did. So I'm trying to squeeze 200 years of history in the 90 minutes," he said. "I'm the boss of the mill. Each act represents a different piece of the history, whether it's the mill shutting, opening, or some mill owner realizing that, oh, there's a factory empty. Now, I could raise some money and do something good for the community, keep the community employed."
 
The Sprague act will include the company's contributions to the space race, particularly the Apollo 11 silicon disk fill with goodwill messages from 74 countries. Made in North Adams, it was left on the moon.
 
"The history here is so huge I know its going to take five years to tell it all," said Pellegrini, who's already thinking about baseball and railroad tunnels. 
 
 Macksey cut a ribbon at the circus tent on Thursday and a few guests were treated to a sneak peak of the acts. 
 
"I am excited about this," said the mayor. "I was amazed that we had this much talent sitting up on Florida Mountain. ... 
 
"We're excited to have you join our community and you're one of the family."
 
 
The tent seats 240 and performances will be Friday, Oct. 4, at 7 p.m.; Saturday, Oct. 5, at  2 and 6 p.m.; and Sunday, Oct. 6, at 4 p.m.; and again on Friday, Oct. 11, at 7 p.m.; Saturday, Oct. 12, at 2 and 6 p.m.; Sunday, Oct. 13, at 2 and 6 p.m. and Monday, Oct. 14, at 2 p.m.
 
General admission tickets are $15 and ringside/front row are $25, plus a fee for online purchase. They can be purchased here
 
 

Tags: circus,   local history,   

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Why the Massachusetts Art Community Is Worth Continued Investment

By James BirgeGuest Column
How do we quantify the value of art on society and culture? Even eye-popping figures, like the $100 million estimate for the jewels stolen from the Louvre, or the record auction last fall that saw a piece by Gustav Klimt sell for more than $236 million can't fully account for the value of the history, stories, and emotions behind the creations themselves. But beyond that, there is a measurable financial, cultural and social benefit of the arts that is often taken for granted. 

Closer to home, arts and cultural production in the Commonwealth of Massachusetts totals nearly $30 billion annually, representing more than 4 percent of the state's economic output, according to the Mass Cultural Council. All told, more than 130,000 jobs are spread across the commonwealth creating a vibrant and thriving artistic community for us all to enjoy. 

Despite the obvious impact, these figures are under threat. A recent survey by MassCreative compiled recent federal cuts to the National Endowment for the Arts, the National Endowment for the Humanities and the Institute of Museum and Library Services and identified 63 grants canceled and $4.2 million in grant funding rescinded across New England so far this year. 

The dollars, of course, are important. But they also only scratch the surface on what they bring to the community. Today, we risk losing part of the culture and identity many now take for granted. 

While others choose to look past these less tangible, but just as vital benefits, we're doing the opposite. Massachusetts College of Liberal Arts is all in to ensure the next generation retains their access to works of art, while also being empowered to create themselves. 

Last fall, MCLA officially broke ground on the new Campagna Kleefeld Center for Creativity in the Arts, which will serve as a new hub for the campus and the local community for arts programming. When complete in fall of 2027, our students will benefit, but so will all of Berkshire County and artists in the surrounding area. 

This exciting new facility is just one of the many forthcomings our region can enjoy in the coming years. Just a few miles away, anticipation builds for the Fall 2027 anticipated opening for the Williams College Museum of Art. Years in the making, the museum likewise grows from an enduring commitment to the arts, both in curriculum and in practice. Exciting times are also underway for the Clark Art Institute with the construction of a new facility to house a collection of 331 works of art, including paintings, sculptures, drawings and other works. Their wing is scheduled for completion in 2028. And listeners will no doubt enjoy the sounds and melodies from Mass MoCA Records, the latest endeavor to foster creativity and artistic pursuits through music launched in October as well. Of course, many are also awaiting the reopening of the Berkshire Museum anticipated this summer, after a tremendous renovation process to rejuvenate the experience for visitors. 

So much time, energy, and yes, dollars, have already been invested in taking these facilities from ideas and sketches and making them reality. But they represent much more than new buildings. They represent new opportunities to cultivate and accelerate the thriving arts community in Massachusetts and the northern Berkshires. 

Art, regardless of the medium, is a reflection of who we are, where we've been, and what we aspire to be. It can be inspired by hopes or fears and chronicle collective triumphs as well as tribulations. The goal of art is not only to document history, but to inspire those positioned to change it and to feel something new or even to provoke us to revisit our own assumptions or misconceptions. 

As unfathomable of a number as $30 billion can seem, boiling down the impact to any number inherently discounts the unknowable downstream effects our graduates will bring to the community and the broader world after they leave our institutions. Likewise, rescinding $4.2 million now removes a huge chunk of that growth potential.  

Justification for making these investments today when simply boiled down to dollars and cents still places us on solid ground strictly from a financial perspective that forgoes all of the intangible, but no less valuable, benefits as well.  

The arts are still worth our support. And our community will be richer for it. 

James Birge, PhD, is president of Massachusetts College of Liberal Arts in North Adams.  

 

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