Jacob's Pillow Announces Opening Date of Doris Duke Theatre

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BECKET, Mass. — Jacob's Pillow announced the opening date of, and artists to perform in, the new Doris Duke Theatre, an international venue for dance and America's only purpose-built new dance theater to open in 2025. 
 
The multi-day opening celebration will begin on July 9, 2025, with programming continuing throughout the summer as part of the nation's longest-running dance festival, located on Jacob's Pillow's campus.
 
"We envisioned and built the new Doris Duke Theatre grounded in the Indigenous history of the land on which we dance. At the same time, it is a global hub for innovation," said Pamela Tatge, Jacob's Pillow executive and artistic director. "I am excited to see how artists and audiences join together and move beyond the limits of a traditional performance venue. In the new Duke, we will offer not just compelling and wide-ranging works that already exist today—but also some of tomorrow's most innovative mixed reality movement and dance experiences, which meld the virtual and the physical in deeply affecting ways."
 
Designed by Dutch architecture firm Mecanoo, the reimagined Doris Duke Theatre occupies the site of the former studio theater from 1990, destroyed by fire in November 2020.  The new theater aims to become one of the world's most technologically advanced dance venues, providing a makerspace for artists seeking to integrate artificial intelligence, extended reality, robotics, and immersive platforms into live performance. The Doris Duke Theatre will include such capacities as a spatial audio system, infrared camera tracking of performers for interactive video content, and live performance interactions with recorded/projected dance content, among many other capabilities.
 
"At the heart of the new Doris Duke Theatre lies a celebration of movement, space, and connection," Francine Houben, Mecanoo's creative director and founding partner said. "Inspired by Mecanoo's core values of 'people, place, purpose, and poetry,' the new theater captures the essence of dance, not only as an art form but as a deeply human experience intertwined with the landscape and community. Rooted in the rolling hills of the Berkshires, the theater honors the rich heritage of Jacob's Pillow while pushing the frontiers of the performing arts. The design draws on the rhythms of nature, mirroring the fluidity and grace of dancers."
 
The first group of dance and technology makers invited to present work at the Doris Duke Theatre are interactive-electronics dance and theater artist Andrew Schneider, with the world premiere of HERE; Shamel Pitts (2020 Pillow Lab resident) with Touch of RED; the return of Korean choreographer Eun-Me Ahn with her innovative ensemble work, Dragons; and the Pillow debut of Taiwanese dancer/choreographer and robotics inventor Huang Yi. The inaugural season will also host the U.S. debut of Indigenous Sámi choreographer Elle Sofe and her Elle Sofe Company from northern Norway, performing Vástádus eana – the answer is land. The season will also feature Faye Driscoll (2022 Pillow Lab resident) and her masterpiece Weathering. Additionally, Shamel Pitts and Andrew Schneider will each create a digital-first work, designed to be experienced virtually and available to audiences around the world. Grisha Coleman will lead the first Pillow Lab residency in fall 2025 to develop The Movement Undercommons, a new motion capture movement project creating kinetic haiku from movement data.
 
"There is one constant at Jacob's Pillow: pushing boundaries. The new Doris Duke Theatre exemplifies this tradition, making possible new forms of expression and new ways to move audiences," said Sam Gill, president and CEO of the Doris Duke Foundation. "It's not just a new theater—it's a new chapter for Jacob's Pillow and for American dance."
 
The reimagined Doris Duke Theatre will be approximately 20,000 sq. ft., compared with the former Duke's roughly 8,500 sq. ft. footprint. The design allows for multi-use flexibility, so that the building can support performances, events, residencies, and more, sometimes simultaneously. The theater will seat up to 220-400 patrons in the main performance space, with an array of seating and stage configurations.
 
According to a press release:
 
The theater's mass timber structure is clad in thermally treated pine, designed to weather gracefully over time. The building changes with the seasons, its natural materials telling a story of light and shadow, time, and change—an organic register of the dance of nature.  Rainwater is collected for future reuse, and the generous veranda provides natural shading, a quiet gesture of harmony between sustainability and design. Through its form, function, and connection to the land, the new Doris Duke Theatre embodies the poetry of place—an enduring testament to the power of dance, nature, and human creativity intertwined.
 
Inspired by the region's natural beauty, the new Doris Duke Theatre's landscape designed by Marvel harmonizes with its surroundings, reflecting the rich local ecology of the Berkshires. This design not only nurtures a deep connection between the performing arts and nature but also honors the area's Indigenous history. To the west of the theater, the landscape design creates a central quad, framed by a sculptural "scramble" made from locally-sourced stone to welcome dancers and visitors and provide spaces for lounging, rehearsal, and celebration. To the east, landscapes designed by Indigenous artists celebrate Indigenous knowledge, with a garden and a communal fire pit that reflect the land's cultural traditions and recognize the original inhabitants that inform Jacob's Pillow and its quintessential identity.
 
Netherlands-based architecture firm Mecanoo, led by Creative Director and Founding Partner Francine Houben, is serving as the lead architect for the new building project, in partnership with New York-based architecture firm Marvel as the local architect and landscape architect. Charcoalblue are consulting on theater and acoustics design for the project. Jeffrey Gibson, Choctaw/Cherokee, is serving as a consultant on the building's relationship to the site and Indigenous values, a key element of the building's design.
 
The opening celebration week at the Doris Duke Theatre will be highlighted by a ribbon-cutting and opening performances on Wednesday, July 9, 2025.
 
This multi-day celebration will feature gatherings and pop-up performances by world-class artists.
 
The opening-week celebration will also include open houses, community events, and a gathering to activate the communal fire pit and Indigenous garden, designed by Indigenous artists Andre StrongBearHeart Gaines, Jr., Kathi Arnold, and Misty Cook in collaboration with Marvel. Inside, a new visual art installation by Indigenous artist Brenda Mallory will serve as a focal point of the lobby in the Doris Duke Theatre. Emmy-nominated director, choreographer, and performer Katherine Helen Fisher will create the inaugural exhibition in the new Duke's gallery space. The interactive exhibition, Hyperreal Futures: Choreographing the Algorithmic Body will also be on display.
 
The boundary-pushing program of artists featured in the new Doris Duke Theatre will appear as part of Jacob's Pillow's international dance festival, which will return for a 93rd summer.  The Festival will offer nine weeks of performances on its campus in the Berkshires, as well as streaming and online events for audiences worldwide, from June 25 through August 24, 2025. The 2025 summer festival will mark the first time in six years that all three onsite performance venues are open to the public: the historic Ted Shawn Theatre, the outdoor Henry J. Leir Stage, and the new Doris Duke Theatre.
 
The Duke's opening date of July 9 holds a special significance to Jacob's Pillow, as this was the same date in 1942 that the dance festival opened the Ted Shawn Theatre, the first performance space in America designed exclusively for dance, which continues to serve as Jacob's Pillow's flagship venue for festival performances.
 
Lead support for Doris Duke Theatre is provided by the Doris Duke Foundation

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Sheffield Craftsman Offering Workshops on Windsor Chairs

By Breanna SteeleiBerkshires Staff

Andrew Jack uses hand tools in his wood working shop. 

SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.

Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.

He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.

"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.

"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."

Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.

"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."

Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.

"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."

Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving. 

Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.

"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."

He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.

"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."

People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.

"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.

"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."

His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.

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